Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)Howitt, William
History
Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
Thus to the last did this wonderful man live and labor. Never did any
man less "vapor away his patriotism." There is something singularly
interesting and impressive in our idea of him, as he calmly passed his
latter days in his quiet habitation in Bunhill Fields. He had outlived
the great battle of king and people, in which extraordinary men and as
extraordinary events had arisen, and shaken the whole civilized world.
Charles I., Laud, and Strafford had fallen in their blood; the monarchy
and the Church had fallen. Pym, Hampden, Marvel, Vane, and the dictator
Cromwell, had not only pulled down the greatest throne in Europe, but
had made all others seem to reel by the terrific precedent. All these
stern agents, with the generals Ireton, Harrison, Lambert, Fleetwood,
and their compeers, who had risen from the people to fight for the
people, were gone, like the actors in an awful tragedy who had played
their rôle; some had perished in their blood, others had been torn from
their graves; the monarchy and the Church, the peerage and all the old
practices and maxims, were again in the ascendant, and had taken bloody
vengeance; yet this one man, he who had incited and applauded, who had
defended and made glorious, through his eloquence and his learning, the
whole Republican cause, was left untouched. As if some especial
guardianship of Providence had shielded him, or as if the very foes who
pulled the dreaded Cromwell from his grave, feared the imprecations of
posterity, and shrunk from the touch of that sacred head--there sat the
sublime old man at his door, feeling with grateful enjoyment the genial
sunshine fall on him. There he sat, erect, serene, calm, and trusting to
God the Father of mankind. He had lived even to fulfill that
long-deferred task of poetic glory; the vision of Paradise Lost passed
before him, and had been sung forth in the most majestic strains that
had ever made classical the English tongue. His trust in Providence had
been justified; he had served his country, and had yet not missed his
immortality. The great and the wise came from every quarter to converse
with him; and the wonderful passages through which he and his nation had
lived, were food for the musings of the longest day or the most solitary
moments.
Many have thought that those melancholy lines in Samson Agonistes,
commencing
"O loss of sight! of thee I most complain,"
were his own wretched cogitations. But Milton, unlike Samson, had no
weak seductions from the path of his great duty to reproach himself
with; and far likelier were it that the whole apostrophe to light,
spoken in his own character in the opening of the third book of Paradise
Lost, was the more usual expression of his feelings:
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account