Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)Howitt, William
History
Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
The brightest gleam of his life would seem to be between his quitting
Sir Samuel Luke's and the publication of his Hudibras; but when this
exactly took place, and how long this lasted, we are not informed. It
must, however, have taken place between the king's return, which was in
1659, and 1664, some five years or so. During this period he was made
secretary to the Earl of Carberry, president of the principality of
Wales, who made him steward of Ludlow Castle when the Court of Marches
was revived.
This was a post in which a poet might feel himself well placed. This
ancient castle of the Lacys and Mortimers stands at the west end of the
town of Ludlow, on a bold rock, overlooking the River Corve, and near
the confluence of that river and the Teme. Many striking events had
occurred here since the time that William the Conqueror bestowed it on
Roger de Montgomery, from whose descendants it passed successively into
the hands of the crown, the Warines, the Lacys, and the Mortimers. On
the borders of Wales, it was a strong-hold for the crown of England,
and after it fell again into the hands of the king, became the palace of
the President of the Marches, and often the residence of princes. Here
the young king Edward V. lived, and left it only to proceed to London
into the murderous hands of his uncle, Richard III., who, within two
months of his quitting this quiet asylum, had him and his brother
smothered in the Tower. Here Prince Arthur, eldest son of Henry VII.,
was married to Catharine of Aragon, who, after his death, was married to
his brother, Henry VIII.; her divorce finally leading to the Reformation
in England. Here Sir Philip Sidney's father, Sir Henry Sidney, had
lived, as President of the Marches; and many a scene of splendor and
festivity had lit up the venerable towers, on the occasion of royal
visits, and other seasons of rejoicing. Above all, it was for one of
those occasions that the youthful Milton had composed his Comus; and on
a visit of Charles I., in 1631, to the Earl of Bridgwater, then
President of the Marches, it was performed before him, the work being
founded on a real incident occurring in the lord president's own family,
which is thus related by Nightingale: "When he had entered on his
official residence, he was visited by a large assembly of the
neighboring nobility and gentry. His sons, the Lord Brackley and Sir
Thomas Egerton, and his daughter, the Lady Alice, being on their
journey,
'To attend their father's state,
And new intrusted scepter,'
were benighted in Haywood Forest, in Herefordshire, and the lady for a
short time was lost. The adventure being related to their father on
their arrival at the castle, Milton, at the request of his friend, Henry
Lawes, who taught music in the family, wrote the Mask. Lawes set it to
music, and it was acted on Michaelmas night; the two brothers, the young
lady, and Lawes himself, each bearing a part in the representation."
Public-domain text, read in full here on John Shaqi.
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