From this place the family removed to Lower-place, Fulham, where they continued about a year, and then removed again to Old Brompton. Miss Landon now gave continually increasing signs of a propensity to poetry. Mr. Jordan, the editor of the Literary Gazette, was a neighbor of her father, and from time to time her compositions were shown to him, who at once saw and acknowledged their great promise. It does not appear very clear whether Miss Landon continued at home during this period--that is, from the time the family came to live here when she was about fourteen, till the death of her father when she was about twenty,--but it is probable that she was for a good part of this time at the school, No. 22, Hans-place, which was now in the hands of the Misses Lance, as she says of herself,--"I have lived all my life since childhood with the same people. The Misses Lance," etc. However, it was at about the age of eighteen that her contributions appeared in the Literary Gazette, which excited universal attention. These had been preceded by a little volume now forgotten, The Fate of Adelaide, a Swiss romantic tale; and was speedily followed by the Improvisatrice. It was during the writing of this her first volume of successful poetry that her father died, leaving the family in narrow circumstances. The history of her life from this time is chiefly the history of her works. The Improvisatrice was published in 1824; the Troubadour in 1825; the Golden Violet in 1826; the Venetian Bracelet, 1829. In 1830, she produced her first prose work, Romance and Reality. In 1831, she commenced the editorship of Fisher's Drawing-room Scrap Book, which she continued yearly till the time of her marriage--eight successive volumes. In 1835, she published Francesca Carrara; the Vow of the Peacock, 1835; Traits and Trials of Early Life, 1836; and in the same year, Ethel Churchill. Beside these works, she wrote immensely in the annuals and periodicals, and edited various volumes of illustrated works for the publishers.