Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)Howitt, William
General
Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
Of her person, Mr. Blanchard gives this description:--"Nobody who
might happen to see her for the first time, enjoying the little quiet
dance, of which she was fond, or the snug corner of the room where the
little lively discussion, which she liked still better, was going on,
could possibly have traced in her one feature of the sentimentalist
which popular error reported her to be. The listener might only hear
her running on from subject to subject, and lighting up each with a
wit never ill-natured, and often brilliant; scattering quotations as
thick as hail, opinions as wild as the winds; defying fair argument to
keep pace with her, and fairly talking herself out of breath. He would
most probably hear from her lips many a pointed and sparkling
aphorism, the wittiest things of the night, let who might be around
her,--he would be surprised, pleased; but his heroine of song, as
painted by anticipation, he would be unable to discover. He would see
her looking younger than she really was; and perhaps, struck by her
animated air, her expressive face, her slight but elegant figure, his
impression would at once find utterance in the exclamation which
escaped from the lips of the Ettrick Shepherd on being presented to
her, whose romantic fancies had often charmed him in the wild
mountains--'Hey! but I did not think ye'd bin sae bonnie!'
"Without attempting an elaborate description of the person of L. E.
L., we cite this expression of surprise as some indication that she
was far prettier than report allowed her to be, at the period we are
speaking of. Her easy carriage and careless movements would seem to
imply an insensibility to the feminine passion for dress; yet she had
a proper sense of it, and never disdained the foreign aid of ornament,
always provided it was simple, quiet, and becoming. Her hair was
darkly brown, very soft and beautiful, and always tastefully arranged;
her figure, as before remarked, slight, but well formed and graceful;
her feet small, but her hands especially so, and faultlessly white,
and finely shaped; her fingers were fairy fingers; her ears also were
observably little. Her face, though not regular in any feature, became
beautiful by expression; every flash of thought, every change and
color of feeling, lightened over it as she spoke, when she spoke
earnestly. The forehead was not high, but broad and full; the eyes had
no overpowering brilliancy, but their clear intellectual light
penetrated by its exquisite softness; her mouth was not less marked by
character; and, beside the glorious faculty of uttering the pearls and
diamonds of fancy and wit, knew how to express scorn, or anger, or
pride, as well as it knew how to smile winningly, or to pour forth
those short, quick, ringing laughs, which, not even excepting her
_bon-mots_ and aphorisms, were the most delightful things that
issued from it."
Public-domain text, read in full here on John Shaqi.
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