Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)Howitt, William
General
Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
Here we have the elements of Waverley at work in the child of four or
five years old. In fact, the years that he spent here were crowded
with the impressions of romance and the excitement of the imagination.
He was surrounded by singular and picturesque characters. The recluse
old clergyman;--old MacDougal, of Markstoun, in his little laced
cocked hat, embroidered scarlet waistcoat, light-colored coat, and
white hair tied military fashion, kneeling on the carpet before the
child, and drawing his watch along to induce him to follow it. Old
Ormistoun, the herdsman, that used to carry him out into the
moorlands, telling him all sorts of stories, and blew his whistle when
the nurse was to fetch him home. The nurse herself, who went mad, and
to escape from this solitude, confessed that she had carried the child
up among the crags, under a temptation of the devil, to cut his throat
with her scissors, and bury him in the moss; and was therefore
dismissed at once, but found to be a maniac. All these things were
certain of sinking deep into the child's mind, amid the solitude and
wildness of the place; but all this time too he was stuffed daily with
all sorts of border and other ballads: Watt of Harden, Wight Willie of
Aikwood, Jamie Telfer of the fair Dodhead, Hardyknute, and the like;
and the stories of the cruelties practiced on the rebels at Carlisle,
and in the Highlands, after the battle of Culloden, related to him by
a farmer of Yethyn who had witnessed them--"tragic tales which," said
Scott, "made so great an impression upon me." In fact, here again were
future materials of Waverley. Before quitting the stern old tower of
Smailholm, and Sandy-knowe, why so called, and why not rather
Whinstone-knowe, it were difficult to say,--we may, in the eloquent
words of Mr. Lockhart, point out the celebrated scenes which lie in
view from it. "Nearly in front of it, across the Tweed, Lessudden, the
comparatively small, but still venerable and stately abode of the
lairds of Raeburn; and the hoary abbey of Dryburgh, surrounded with
yew-trees as ancient as itself, seem to lie almost at the feet of the
spectator. Opposite him rise the purple peaks of Eildon, the
traditional scene of Thomas the Rhymer's interview with the Queen of
Faerie; behind are the blasted peel which the seer of Erceldoun
himself inhabited, 'The Broom of the Cowdenknowes,' the pastoral
valley of the Leader, and the black wilderness of Lammermoor. To the
eastward, the desolate grandeur of Hume Castle breaks the horizon, as
the eye travels toward the range of the Cheviot. A few miles westward,
Melrose, 'like some tall rock with lichens gray,' appears clasped amid
the windings of the Tweed; and the distance presents the serrated
mountains of the Gala, the Ettrick, and the Yarrow, all famous in
song. Such were the objects that had painted the earliest images on
the eye of the last and greatest of the border minstrels."
Public-domain text, read in full here on John Shaqi.
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