Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)Howitt, William
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Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
"'At twelve o'clock the procession, which had been formed in the
Jerusalem Chamber, adjoining the abbey, came in sight, as you looked
through the length of the abbey toward the western door. All you could
see, at first, at this immense distance, was a dark mass; and so
slowly did the procession advance, that it scarcely seemed to move. As
it came near, every voice was hushed, and, beside the solemn tramp of
the procession, the only voice audible was the voice of the clergyman
echoing along the vaulted passages, "I am the resurrection and the
life." Borne before the coffin were a number of mourning plumes, so
arranged as to correspond with it in shape. When the procession
halted, and the coffin was laid upon the temporary scaffold before the
desk, the plumes were placed upon it. There was no other attempt at
splendor. All was as simple as in the most ordinary funeral solemnity.
It was a grand spectacle, and such as I never expect to see again. Not
merely the nobles of the land, but its ablest men, who, from day to
day, are directing the destinies of the mightiest monarchy on the
globe, and whose names will live in after-times, were bearing the
remains of the departed poet to the hallowed palace of the dead. Among
the pall-bearers were Lord Brougham, Sir Robert Peel, and Lord
Aberdeen; among the mourners, Macaulay, D'Israeli, Lockhart, and many
others known to fame. I had hoped to see Wordsworth, and, perhaps,
Carlyle, but neither of them were there. The burial-service was read
by the Rev. Dr. Milman [canon of Westminster, and rector of St.
Margaret's], author of The Siege of Jerusalem, History of the Jews,
and other works. At the close of the service, the plumes were taken
from the coffin, and the body lowered into the grave. As the mourners
gathered around the opening, the sound of what seemed distant thunder
called my attention to the windows. It was a dull, dark day, and I
supposed, for a moment, that a storm was at hand, till the sweet
strain of a beautiful melody, from the organ in the choir, in the
rear, undeceived me. Then followed again the rumbling of thunder, like
the marching of mighty masses of the dead, varied occasionally by
snatches of harmony, and conveying an impression of unutterable
solemnity. It was the Dead March in Saul.
Public-domain text, read in full here on John Shaqi.
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