Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)Howitt, William
General
Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
comes the transplanting to a new soil, and into new influences. Then
come the hearing of nothing but a new set of opinions, and the feeling
of a very different tone in all around him. Then comes the _facilis
descensus Averni_, and the _sed revocare gradum hoc opus, hic
labor est_. The metamorphosis goes on insensibly--_Nemo repentè
fuit turpissimus_; but the end is not the less such as, if it could
have been seen from the beginning, would have made the startled
subject of it exclaim, "Is thy servant a dog, that he should do this
thing?"
Allowing Dr. Southey the full benefit of all these operating
influences, so as to clear his conscience in the metamorphosis as much
as possible, yet what a metamorphosis that was! The man who set out in
a career that augured the life of a second Milton, ending as the most
thorough, though probably unconscious tool of tyranny and state
corruption. The writer of Wat Tyler lauding George IV. and
Castlereagh! The author of The Battle of Blenheim, singing hymns to
the allied sovereigns, and hosannas over the most horrible war and
carnage, and for the worst purposes in history. The advocate of the
pauper and the mill operative, supporting the power and the system
which made pauperism universal, and manufacturing oppressive to the
artisan. And last, and worst, the man who justly lashed Lord Byron for
his licentious pen, being subjected to the necessity of slurring over
the debaucheries of such a monster as George IV., and singing his
praises, as a wise, and just, and virtuous prince. While Southey
congratulated himself on never having prostituted his pen to the cause
of vice, he forgot that to prostitute it to the praise of those who
were the most libidinous and vicious characters of their age, was only
the same thing in another form. No greater dishonor could have
befallen a man of Southey's private character, than to have so fully
justified the scarifying strictures of his aristocratic satirist:--
"He said--I only give the heads--he said
He meant no harm in scribbling; 'twas his wa
Upon all topics; 'twas beside his bread,
Of which he buttered both sides; 'twould delay
Too long the assembly, he was pleased to dread,
And take up rather more time than a day,
To name his works--he would but cite a few--
Wat Tyler--Rhymes on Blenheim--Waterloo.
"He had written praises of a regicide;
He had written praises of all kings whatever;
He had written for republics far and wide,
And then against them bitterer than ever:
For pantisocracy he once had cried
Aloud, a scheme less moral than 'twas clever;
Then grew a hearty anti-Jacobin--
Had turned his coat--and would have turned his skin.
Public-domain text, read in full here on John Shaqi.
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