Mr. Wordsworth, after finishing his education, seems to have made choice of no profession but that of poetry. His patrimony could not have been large, as I have heard Mrs. Wordsworth say, that, at the time of their marriage, they had in joint income about £100 a-year. This, however, would go a good way with a young couple, of simple habits, in a place like Grasmere at that time of day. Mrs. Wordsworth was a Miss Hutchinson of Cockermouth. Poetry was Wordsworth's real business from the first, as it has been the great and continued business of his life. His sister Dorothy, also gifted with considerable poetic power, as may be seen in the Address to a Child during a boisterous winter evening, and The Mother's Return, at pp. 9 and 12 of the first volume of his poems, as well as in the Journal of their Wanderings together, was his great and congenial companion. She had a passion for nature, not less ardent than his own; and went on at his side, fearless of rain, or cold, or tempest, nor shrinking from heat. She was ready to climb the mountain, to cross the torrent, or slide down the slippery steep with equal boldness and skill, derived from long practice. With him she traversed a great part of Scotland, Wales, and parts of England. He describes their thus setting out from Grasmere:-- "To cull contentment upon wildest shores, And luxuries extract from bleakest moors; With prompt embrace all beauty to infold, And having rights in all that we behold." To this ramble, chiefly on foot, we are indebted for some of the most vigorous and characteristic lyrics that Wordsworth ever wrote. He was young, ardent, and overflowing with enthusiasm; and the soil of Scotland, on which so many deeds of martial fame had been done, or where Ossian had sung in the misty years of far-off times, or other bards whose names had for centuries been embalmed in the strains which the spirit of the people had perpetuated, kindled in him a fervent sympathy. We can imagine the delighted brother and sister marching on, over the beautiful hills, the dark heaths, and down the enchanting vales of the Highlands, conversing eagerly of the scenes they had seen, and the incidents they had heard, till the glowing thoughts had formed themselves, in the poet's mind, into almost instant song. These poems have all the character of having been cast, hot from the furnace of inspiration, into their present mold. There is a life, an original freshness, and a native music about them. Such are Ellen Irvine, or the Braes of Kirtle; To a Highland Girl; Glen Almain, or the Solitary Glen; Stepping Westwood; The Solitary Reaper; Rob Roy's Grave; Yarrow Revisited; In the Pass of Killicranky; The Jolly Matron of Jedburgh and her Husband; The Blind Highland Boy; The Brownie's Cell; Cora Linn, etc. It was to this beloved companion of his wanderings that he, the year afterward, addressed these beautiful verses, on revisiting Tintern.--Vol. ii. p. 179.