Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)Howitt, William
General
Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
The active imagination of Montgomery had induced him to suppose that
the deprivation of liberty was the loss of every earthly good; in
confinement he learned another lesson, and he bore it with fortitude
and cheerfulness. In York Castle he had opportunities of amusement, as
well as leisure for study; and he found kindness, consolation, and
friendship within the walls of a prison. During confinement he wrote,
and prepared for the press, a volume of poems, which he published, in
1797, under the title of Prison Amusements; but his spirits and hopes
were now so broken that he made no exertion to recommend this work to
the public.
I went in August, 1845, to visit York Castle, with the particular
object of seeing the room which Montgomery occupied during his last
imprisonment, and where he wrote the Prison Amusements, and by his own
description of it corrected a curious mistake which the keepers had
made. "The room which I occupied," said Mr. Montgomery to me, "is up
stairs, and is distinguished by a round window between two Ionic
pillars, at the end of the building nearest to the city and Clifford's
Tower, and facing the courthouse." On requesting the turnkey to show
me that as the room where Montgomery had been confined, he assured me
that it was not the room, but the true place was the corresponding
room at the opposite end of the building. It was not easy to persuade
him. He went to the gatekeeper, who supported his view of the case,
assuring me that his father was turnkey at the time, and that it was
well known, and had been always shown as Montgomery's room. There
could be no mistake. I asked them if they thought it possible that a
man could be shut up six months in a prison, and after fifty years
could give so exact a description of the spot as Montgomery had given
me--showing the above identification in my note-book, as written down
from Montgomery's statement at the moment--and be mistaken? But men in
authority are not readily convinced. What! could all the clever
turnkeys of York Castle, for fifty years almost to a day, have been
showing a wrong room to thousands of visitors? Impossible! I was
therefore obliged to bring another impossibility to render their
impossibility more impossible, and that was the impossibility of
seeing through, not merely a stone wall, but a stone house. I told
them that Montgomery said that he could see the meadows along the Ouse
from his window; and that such intense longings for liberty did the
sight of people taking their walks there daily give him, that the
moment he was liberated he hurried out of the court, descended to the
Ouse, and perambulated its banks just where he had seen the people so
often walking. This was a poser. It was only from the window described
by Montgomery that any such view could be obtained. Facing it, was
merely the court wall, over which the river could be seen; but facing
the other window stood the court-house--that was a terribly stout
Public-domain text, read in full here on John Shaqi.
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