Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)Howitt, William
General
Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
In 1825, Mrs. Hemans made another remove, though but a short one. The
house in which she lived at Bronwylfa had been purchased by her elder
brother, who came to live in it; and she, with her mother, sister, and
her children, removed about a quarter of a mile, to Rhyllon, yet in
full view of the old house. This house at Rhyllon is described as
being a tall, staring, brick building, almost destitute of trees, of
creepers on the walls, or of shrubbery; while Bronwylfa, on the
contrary, was a perfect bower of roses, peeping, says her sister, like
a bird's nest out of the foliage in which it was embosomed. "In spite,
however," continues the same sisterly biographer, "of the unromantic
exterior of her new abode, the earlier part of Mrs. Hemans's residence
at Rhyllon may, perhaps, be considered as the happiest of her life; as
far, at least, as the term happiness could ever be fitly applied to
any period of it later than childhood. The house, with all its
ugliness, was large and convenient; the view from the windows
beautiful and extensive; and its situation, on a fine green slope,
terminating in a pretty woodland dingle, peculiarly healthy and
cheerful. Never, perhaps, had she more thorough enjoyment of her boys
than in witnessing and often joining in their sports, in those
pleasant, breezy fields, where the kites soared so triumphantly, and
the hoops trundled so merrily, and where the cowslips grew as cowslips
never grew before. An atmosphere of home soon gathered round the
dwelling; roses were planted, and honeysuckles trained; and the
rustling of the solitary poplar near the window was taken to her
heart, like the voice of a friend. The dingle became a favorite haunt,
where she would pass many dream-like hours of enjoyment with her
books, and her own sweet fancies, and her children playing around her.
Every tree and flower, and tuft of moss that sprung amid its green
recesses, was invested with some individual charm by that rich
imagination, so skilled in
"Clothing the palpable and the familiar
With golden exhalations of the dawn."
Here, on what the boys would call "mamma's sofa,"--a little grassy
mound under her favorite beech-tree--she first read The Talisman, and
has described the scene with a loving minuteness, in her Hour of
Romance.
"There were thick leaves above me and around,
And low sweet sighs, like those of childhood's sleep,
Amid their dimness, and a fitful sound,
As of soft showers on water. Dark and deep
Lay the oak shadows o'er the turf, so still,
They seemed but pictured glooms; a hidden rill
Made music--such as haunts us in a dream--
Under the fern-tufts; and a tender gleam
Of soft green light, as by the glow-worm shed,
Came pouring through the woven beech-boughs down."
Many years after, in the sonnet, To a distant Scene, she addresses,
with a fond yearning, this well remembered haunt--
"Still are the cowslips from thy bosom springing,
O far off grassy dell!"
Public-domain text, read in full here on John Shaqi.
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