Homes of American Statesmen; With Anecdotical, Personal, and Descriptive SketchesVarious
History
Homes of American Statesmen; With Anecdotical, Personal, and Descriptive Sketches
Various
Historic buildings -- United States; Statesmen -- United States; United States -- Biography
Montpelier, the residence to which, as an only child, he had succeeded
at his father's death, is a plain but ample, and rather handsome
habitation of brick, around which spreads out, in such undulations of
gently-waving swells and irregular plains as pleasantly diversify the
view, a fertile domain of some two thousand six hundred acres; a part of
it well cultivated, but a still larger part yet in all the wildness of
nature. The region is one where she has shed, in great beauty, the
softest picturesque of hill and dale, forest and glade. At hand, in the
rear, rises, as if to adorn the prospect with bolder contrasts, the
gracefully wavering chain of the southwest mountain, to fence on one
side the vale of Orange and Albemarle, on whose southeastern edge of
nodding woods and green fields Montpelier lies embosomed and embowered;
while on the other side, in the airy distance beyond that vale, tower in
fantastic line the blue peaks of the long Appalachian ridge, breaking the
horizon, as if to form another and a more fanciful one. The wide scene,
caught in glimpses through the mantling trees, or opening out in the
larger vista of farm beyond farm, or shining in loftier prospect above
the tree-tops and the low hills, offers to the ranging eye, many a
charming view,--sweet spots of pastoral beauty; jutting capes and
copses, or nodding old groves of woodlands; the rich and regular
cultivation of spreading plantations, amidst which glisten now a stately
mansion, and now a snug farm-house, each decorated with its peculiar
growth of trees for shade or fruit; and far away, mountain regions,
whose heights, and whose rude and massy but undefined forms, suggest to
the fancy the savage grandeur of that remoter landscape which the eye
knows to be there, though it mocks the sight with what is so different.
All these are, at frequent points, the aspects of that fine country from
Orange court-house up to Charlottesville; they are nowhere seen in
greater perfection or abundance than just around Montpelier. At almost
every turn, one discovers a new pleasure of the landscape; at nearly
every step, there is a surprise. It looks like a realm of pictures; you
would almost think that not nature had placed it there, but that the
happiest skill of the painter had collected and disposed the scenes.
Public-domain text, read in full here on John Shaqi.
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