Homes of American Statesmen; With Anecdotical, Personal, and Descriptive SketchesVarious
History
Homes of American Statesmen; With Anecdotical, Personal, and Descriptive Sketches
Various
Historic buildings -- United States; Statesmen -- United States; United States -- Biography
Some two or three years after, we find Governor Hancock, out of
deference to the puritanical opinions and laws of the State, involved in
another noticeable controversy, but one into which he could not have
entered with any great heart. Shortly after the adoption of the federal
constitution, a company of stage-players had made their appearance in
Boston, and though the laws still prohibited theatrical exhibitions,
encouraged by the countenance of the gayer part of the population, they
commenced the performance of plays, which they advertised in the
newspapers as "Moral Lectures." Some of their friends among the
townsfolks had even built a temporary theatre for their accommodation, a
trampling under foot of the laws, which seemed the more reprehensible as
the legislature, though applied to for that purpose, had twice refused
to repeal that prohibitory statute. "To the legislature which met
shortly after," we quote from the fourth volume of Hildreth's History of
the United States, "Governor Hancock gave information that 'a number of
aliens and foreigners had entered the State, and in the metropolis of
the government, under advertisements insulting to the habits and
education of the citizens, had been pleased to invite them to, and to
exhibit before such as attended, stage-plays, interludes, and theatrical
entertainments, under the style and appellation of Moral Lectures.' All
which, as he complained, had been suffered to go on without any steps
taken to punish a most open breach of the laws, and a most contemptuous
insult to the powers of government. Shortly after this denunciation by
the governor, suddenly one night, in the midst of the performance of
'The School for Scandal,' the sheriff of the county appeared on the
stage, arrested the actors, and broke up the performances. When the
examination came on, having procured able counsel (one of whom, if we
mistake not, was the then young Harrison Gray Otis), the actors were
discharged on the ground that the arrest was illegal, the warrant not
having been sworn to. This error was soon corrected, and a second arrest
brought the performances to a close. But the legislature, finding that
the sentiment of the town of Boston was strong against the law, and that
a new and permanent theatre was in the course of erection, repealed the
prohibitory act a few months after."
Public-domain text, read in full here on John Shaqi.
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