I was a strange child, I know. Everybody told me so, and _I_ knew it
well enough without being told. The wise old men at Rice Corner, and
their still wiser old wives, looked at me askance, as 'neath the
thorn-apple tree I built my playhouse and baked my little loaves of
mud bread. But when, forgetful of others, I talked aloud to myriads of
little folks, unseen 'tis true, but still real to me, they shook their
gray heads ominously, and whispering to my mother said, "Mark our
words, that girl will one day be crazy. In ten years more she will be
an inmate of the madhouse!"
And then I wondered what a madhouse was, and if the people there all
acted as our school-teacher did when Bill and the big girl said he was
mad! The ten years have passed, and I'm not in a madhouse yet, unless,
indeed, it is one of my own getting up!
One thing more about Rice Corner, and then, honor bright, I'll finish
the preface and go on with the story. I must tell you about the old
schoolhouse, and the road which led to it. This last wound around a
long hill, and was skirted on either side with tall trees, flowering
dogwood, blackberry bushes, and frost grapevines. Half-way down the
hill, and under one of the tallest walnut trees, was a little hollow,
where dwelt the goblin with which nurses, housemaids, hired men, and
older sisters were wont to frighten refractory children into
quietness. It was the grave of an old negro. Alas! that to his last
resting-place the curse should follow him! Had it been a white person
who rested there, not half so fearful would have been the spot; now,
however, it was "the old nigger hole"--a place to run by if by
accident you were caught out after dark--a place to be threatened with
if you cried in the night and wanted the candle lighted--a landmark
where to stop when going part way home with the little girl who had
been to visit you, and who, on leaving you, ran no less swiftly than
you yourself did, half-fearing that the dusky form in the holly would
rise and try his skill at running. Verily, my heart has beat faster at
the thoughts of that dead negro than it ever has since at the sight of
a hundred live specimens, "'way down south on the old plantation."
Public-domain text, read in full here on John Shaqi.
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