Balzac, Honoré de, 1799-1850; Novelists, French -- 19th century -- Biography
After a brief instruction that I obtained with difficulty, I
set to work to put together a scene from which only a
few words remained in the final work, which was not
read the next day, as one might well believe. I do not
know what the other collaborators did; but the only one
who seriously joined in, this was Laurent-Jan, to whom
the play is dedicated.
That play, it was Vautrin. Everyone knows that the
dynastic and pyramidal tuft of hair that Frédérick
Lemaître fantasized wearing in his disguise as a Mexican
general brought down on the work the criticism of the
authorities; Vautrin, forbidden, had only a single
performance, and poor Balzac remained like Perrette in
front of his overturned milk jug. The prodigious
proceeds that he had anticipated as the probable product
of his drama vanished into ciphers, which did not stop
him from refusing very nobly the compensation offered
by the ministry.
At the beginning of this study, I told you about the
tendencies toward dandyism that were demonstrated by
Balzac, I spoke of his blue coat with solid gold buttons,
his monstrous cane topped with a group of turquoise
stones, his appearances in society and in the extravagant
salon; this splendor lasted only for a period of time, and
Balzac recognized that he was not suited to play the role
of Alcibiades or Brummel. Everyone could encounter
him, particularly in the morning, when he rushed to the
printers carrying copy or seeking proofs, in an infinitely
less splendid outfit. I recall the green hunting jacket, with
brass buttons representing the head of a fox, the black
and gray checked pants that extended to his feet, which
were encased in large laced shoes, the red scarf wrapped
around the neck like a rope, and the hat that was at the
same time both bristly and smooth, its blue bleached by
sweat, which covered rather than clothed "the most
fertile of our novelists." Despite the disorder and poverty
of his dress, nobody would have been tempted to take
for an unknown commoner this large man with the
blazing eyes, flaring nostrils, and cheeks struck with
violent tones, all illuminated by genius, who passed while
carried away by his dream like a whirlwind! At the sight
of him, the mocking stopped on the urchin's lips, and the
serious man did not begin to smile. Everyone recognized
one of the kings of thought.
Public-domain text, read in full here on John Shaqi.
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