Balzac, Honoré de, 1799-1850; Novelists, French -- 19th century -- Biography
The notorious debts were finally paid, the dream union
completed, the nest made for happiness padded and
covered with down; as if they had foreseen his
approaching end, those who envied Balzac started to
praise him: Les Parents Pauvres, Le Cousin Pons, where the
genius of the author shines in all its radiance, united all
opinions. It was too beautiful; nothing more remained
for him but to die.
His illness made rapid progress, but nobody believed that
there would be a fatal outcome, so much we all trusted in
the athletic constitution of Balzac. I thought firmly that
he would bury us all.
I was going to take a trip to Italy. And before leaving I
wanted to say goodbye to my illustrious friend. He had
left in a carriage to collect from customs some exotic
curiosity. I drew away reassured, and at the moment that
I returned to my carriage, I was given a note from
Madame de Balzac, which explained to me obligingly and
with polite regrets why I had not found her husband at
home. At the bottom of the letter, Balzac had scrawled
these words.
"I can neither read, nor write.
"De Balzac."
I have preserved like a relic that ominous line, probably
the last that was written by the author of La Comédie
Humaine; it was, and I did not understand it right away,
the final cry, "My God, why have you forsaken me!" of
the thinker and of the worker. The idea that Balzac could
die did not even occur to me.
A few days after that, I was eating ice cream at the Café
Florian, on the Piazza Saint Marco; in my hand I found
the Journal des Débats, one of the few French papers that
was available in Venice, and I saw in it the announcement
of the death of Balzac. I almost fell from my chair onto
the stones of the Piazza at this sudden news, and my pain
was quickly mixed with an impulse of indignation and
outrage that was not very Christian, because all souls
have an equal value before God. I had just visited the
insane asylum on the island of San-Servolo, and I saw
there decrepit idiots, doddering octogenarians, human
worms who are not even guided by animal instinct, and I
asked myself why this luminous brain was extinguished
like a flame on which one blows, while tenacious life
persisted in these murky heads that were dimly traversed
by fickle rays.
Nine years have already passed since that fatal date.
Posterity has commenced for Balzac; every day he seems
greater. When he was in the company of his
contemporaries, he was poorly appreciated, he was seen
only in fragments under sometimes unfavorable
circumstances: now the edifice that he built rises as one
draws further away, like the cathedral of a city that
conceals the neighboring houses, and which on the
horizon appears immense above the flattened roofs. The
monument is not completed, but, such as it is, it terrifies
by its enormity, and surprised generations will ask
themselves who is the giant who alone has raised these
formidable blocks and built so high this Babel that made
all of society sing.
Public-domain text, read in full here on John Shaqi.
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