Balzac, Honoré de, 1799-1850; Novelists, French -- 19th century -- Biography
Although he is dead, Balzac still has detractors; on his
memory are thrown the banal reproach of immorality,
the last insult of powerless and jealous mediocrity, or
even of total stupidity. The author of La Comédie Humaine
not only is not immoral, but he is actually a strict
moralist. Monarchical and catholic, he defends authority,
exalts religion, preaches duty, reprimands passion, and
does not accept happiness except in marriage and the
family.
"Man," he says, "is neither good, nor bad; he is born with
instincts and aptitudes; society, far from corrupting him,
as Rousseau maintained, improves him, makes him
better; but self-interest develops also his evil tendencies.
Christianity, and particularly Catholicism, being, as I said
in Le Médecin de Campagne, a complete system for the
repression of the depraved tendencies of man, is the
most important component of social order."
And with the ingenuity that suits a great man, anticipating
the reproach of immorality that will be addressed to him
by shoddy spirits, he numbers the irreproachably virtuous
characters who are found in La Comédie Humaine: Pierrette
Lorrain, Ursule Mirouët, Constance Birotteau, la
Fosseuse, Eugénie Grandet, Marguerite Claës, Pauline de
Villenoix, Madame Jules, Madame de la Chanterie, Eve
Chardon, Mademoiselle d'Esgrignon, Madame Firmiani,
Agathe Rouget, Renée de Maucombe, without counting
among the men, Joseph Le Bas, Genestas, Benassis, the
cleric Bonnet, Dr. Minoret, Pillerault, David Séchard, the
two Birotteaus, the cleric Chaperon, the judge Popinot,
Bourgeat, the Sauviats, the Tascherons, etc.
Rogues are not missing, it is true, in La Comédie Humaine.
But is Paris populated only with angels?
END
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