It is now quite on the late side of nine o'clock, and the night's sport
has fairly begun. Young men, pencils in hands are standing before their
favorite acquaintances, soliciting the favor of "at least one 'dance,'
for me, you know." The first waltz is in full progress. The inviting
strains of the "Loved and Lost," are floating through the air, and the
room is alive with the "poetry of motion." Just at this moment Honor
Edgeworth passes from the Reception Room, across the Hall, leaning on
Mr. Rayne's arm, and into the Ball-room. No one makes any pronounced
interruption to their occupation as she enters, but somehow the buzz
seems to abate considerably, and the voices seem to dwindle into a
whisper.
There are different reasons for this proceeding. The girls' reason is a
natural one. She is new in society, very attractive, and her presence
thrusts itself on them as a warning. They don't see what she wants among
Ottawa _coteries_, born and bred, no one knows where. But the men's
reason is also a very natural one. They are a little tired of
continually meeting the same fair faces wherever they go. A woman is to
them like a good thing that won't wear out. They do not wish to give up
either altogether, but they weary at the sight of them, and so long as
they can substitute them for any other--whether inferior in merit, or
not so provokingly durable, they are happy, with the knowledge of
course, that the other is always on hand when they require it. This
flattering opinion that fashionable men entertain of most fashionable
women is what is richly deserved by them, for women who flatter and
spoil men as they are flattered, and spoiled in Ottawa, can expect
nothing else. A suit of clothes of respectable tweed, or broadcloth, is
the object of more spare enthusiasm than a whole collection of moral
qualities in a rival woman.
This explains why the male element of Ottawa society is extremely
gratified to hail such an interesting acquisition to their circle as
Honor Edgeworth. The other girls are "dreadfully disgusted" to note the
sensation she creates, and instead of looking at her openly, they
pretend to be a million times better occupied while they are peeping at
her behind each others' backs, and over each others' heads. There is
something to look at after all. Honor is surrounded immediately and
those who have not met her before, flock around the hostess, and Mr.
Rayne, in the hope of obtaining an introduction. But Honor displays no
more sign of gratification at this lavish display of admiration, than if
it had been an every day occurrence of her life. She gives each anxious
solicitor a dance without any of the condescending airs of other ladies,
and her programme is almost full when some one brushes through the crowd
and addresses her hastily.
"Miss Edgeworth, not too late am I?"
She looks up and sees Vivian Standish before her, as handsome a picture
as ever riveted any one's gaze. She smiles a bewitching smile of assumed
despair.
Public-domain text, read in full here on John Shaqi.
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