Vivian Standish, pausing suddenly, rested his oars on the placid water,
and contemplated in silence, the figure of Honor Edgeworth, reclining on
the cushioned seat of his handsome boat. They had rowed a long way up
the canal, and any sentimental readers who have been there, either
alone, with only the memory of some dearer one, or still better, in the
actual company of some strangely loved acquaintance, will not hesitate,
in pronouncing this still, cool, shady retreat, one of the most
suggestive spots on earth. If anyone's untiring devotion and wildest
appeals have not, up to this, made any impression upon the being one
loves, the very best remedy is to launch a cosy boat into this very
canal, and pull with a mighty strength for four or five miles up from
the "deep cut." Soon a sequestered paradise is reached, where the bended
boughs interlacing, whisper, in caressing, rustling to each other, over
the narrow stream of rippling water below, here pause and wait. There is
a hush whose voice is more eloquent than any human appeal. The low
gurgling music of the little waves that creep techily over and under the
hanging boughs that teaze and obstruct them in their onward passage, the
crowded leaves, rubbing their swaying heads affectionately together; the
gentle wind resting in sighs of relief upon the graceful tree tops, and
sending its messages of love from bough to bough, until it spends itself
upon the quiet bosom of the waters below; the love-sick birds that woo
our beauteous nature in this, her bewitching costume, with their rich
and rarest warblings, vie with one another in chanting from their
ruffled throats their little tales of ecstasy and love, all teach us
clearly, that out in the busy world there is no witchery like this.
In the open sunlight, nature dons her every day attire, but in the shady
retreat of these, her chosen spots, she coquettishly arrays herself in
most resistless costumes.
While one pauses, leaning on his oars amid such scenes as this, one
cannot but feel like flirting very earnestly with nature; the
surrounding beauty cannot help reflecting some of its liveliness upon
the admirers, and the stray, "tangled" sunbeams that lose one another in
the thick foliage cannot but give a new love-light to the eyes that
linger thoughtfully upon them. So that the first impulse to admire
nature being gratified, each finds a consequent impulse towards natural
admiration, creeping into the heart. _She_ looks questioningly into
_his_ eyes, and if _he_ knows anything he will respond appropriately,
and after that, each finds out that the other is one of the most
enhancing elements of the beautiful that they have been contemplating
all the while.
Public-domain text, read in full here on John Shaqi.
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