Hopes and Fears: or, scenes from the life of a spinsterYonge, Charlotte M. (Charlotte Mary)
General
Hopes and Fears: or, scenes from the life of a spinster
Yonge, Charlotte M. (Charlotte Mary)
England -- Social conditions -- 19th century -- Fiction; Single women -- Fiction
He tried to argue that he thought very well of Miss Murrell, but she
would not hear; and she went on with her pretty, saucy abuse, in her
gayest tones, as she tripped along the churchyard path, now, doubtless,
too familiar to renew the associations that might have tamed her spirits.
Perhaps the shock her vivacity gave to the feeling of her friends was
hardly reasonable, but it was not the less real; though, even in passing,
Honora could not but note the improved condition of the two graves, now
carefully tended, and with a lovely white rose budding between them.
A few more steps, and from the open window of the schoolhouse there was
heard a buzz and hum, not outrageous, but which might have caused the
item of discipline not to figure well in an inspector's report; but Mr.
Prendergast and Lucilla appeared habituated to the like, for they
proceeded without apology.
It was a handsome gable-ended building, Elizabethan enough to testify to
the taste that had designed it, and with a deep porch, where Honor had
advanced, under Lucilla's guidance, so as to have a moment's view of the
whole scene before their arrival had disturbed it.
The children's backs were towards the door, as they sat on their forms at
work. Close to the oriel window, the only person facing the door, with a
table in front of her, there sat, in a slightly reclining attitude, a
figure such as all reports of the new race of schoolmistresses had hardly
led Honor to imagine to be the _bona fide_ mistress. Yet the dress was
perfectly quiet, merely lilac cotton, with no ornament save the small bow
of the same colour at the throat, and the hair was simply folded round
the head, but it was magnificent raven hair; the head and neck were
grandly made; the form finely proportioned, on a large scale; the face
really beautiful, in a pale, dark, Italian style; the complexion of the
clearest olive, but as she became aware of the presence of the visitors
it became overspread with a lovely hue of red; while the eyelids revealed
a superb pair of eyes, liquid depths of rich brown, soft and languid, and
befitting the calm dignity with which she rose, curtseyed, and signed to
her scholars to do the same; the deepening colour alone betraying any
sense of being taken by surprise.
Lucilla danced up to her, chattering with her usual familiar, airy grace.
'Well, Edna, how are you getting on? Have I brought a tremendous host to
invade you? I wanted Miss Charlecote to see you, for she is a perfect
connoisseur in schools.'
Public-domain text, read in full here on John Shaqi.
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