Hopes and Fears: or, scenes from the life of a spinsterYonge, Charlotte M. (Charlotte Mary)
General
Hopes and Fears: or, scenes from the life of a spinster
Yonge, Charlotte M. (Charlotte Mary)
England -- Social conditions -- 19th century -- Fiction; Single women -- Fiction
The girls were in a universal titter, the mistress with her eyes cast
down, blushing more than ever. Lucilla muttered an amused but indignant,
'For shame, Owen!' and herself gave the key-note. The performance was
not above the average of National School melody, but no sooner was it
over, than Owen named, in an under-tone, another song, which was
instantly commenced, and in which there joined a voice that had been
still during the first, but which soon completely took the lead. And
such a voice, coming as easily as the notes of the nightingale from the
nobly-formed throat, and seeming to fill the room with its sweet power!
Lucilla's triumph was complete; Honor's scruples were silenced by the
admiring enjoyment, and Phoebe was in a state of rapture. The nervous
reluctance had given way to the artistic delight in her own power, and
she readily sang all that was asked for, latterly such pieces as needed
little or no support from the children--the 'Three Fishers' Wives' coming
last, and thrilling every one with the wondrous pathos and sadness of the
tones that seemed to come from her very heart.
It seemed as if they would never have come away, had not Mr. Prendergast
had pity on the restless movements of some of the younglings, who, taking
no part in the display, had leisure to perceive that the clock had struck
their hour of release, and at the close of 'The Fishers' Wives,' he
signed to Lucilla to look at the hour.
'Poor little things!' said she, turning round to the gaping and
discontented collection, 'have we used you so ill? Never mind.' Again
using her bulrush to tickle the faces that looked most injured, and waken
them into smiles--'Here's the prison house open,' and she sprang out.
'Now--come with a whoop and come with a call--I'll give my club to
anybody that can catch me before I get down to the vicarage garden.'
Light as the wind, she went bounding flying across the churchyard like a
butterfly, ever and anon pausing to look round, nod, and shake her
sceptre, as the urchins tumbled confusedly after, far behind, till
closing the gate, she turned, poised the reed javelin-wise in the air,
and launched it among them.
'It is vain to try to collect them again,' sighed Mr. Prendergast; 'we
must shut up. Good night, Miss Murrell;' and therewith he turned back to
his garden, where the freakish sprite, feigning flight, took refuge in
the boat, cowering down, and playfully hiding her face in deprecation of
rebuke, but all she received was a meekly melancholy, 'O Cilla! prayers.'
'One day's less loathing of compulsory devotion,' was her answer in saucy
defiance. 'I owed it to them for the weariness of listening for ten
minutes to the "Three Fishers' Wives," which they appreciated as little
as their pastor did!'
'I know nothing about songs, but when one wants them--poor things--to
look to something better than sleep.'
Public-domain text, read in full here on John Shaqi.
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