Hopes and Fears: or, scenes from the life of a spinsterYonge, Charlotte M. (Charlotte Mary)
General
Hopes and Fears: or, scenes from the life of a spinster
Yonge, Charlotte M. (Charlotte Mary)
England -- Social conditions -- 19th century -- Fiction; Single women -- Fiction
Passing the screen of shrubs, a scene lay before them almost fit for the
gardens of Seville. Three sides of an extensive square were enclosed by
the semi-gothic buildings, floridly decorated with stone carving; one
consisted of the main edifice, the lower windows tented with striped
projecting blinds; a second of the wing containing the reception rooms,
fronted by the imitative cloister, which was continued and faced with
glass on the third side--each supporting column covered with climbing
plants, the passion-flower, the tropaeolum, the trumpet honeysuckle, or
even the pomegranate, opening their gay blooms on every side. The
close-shaven turf was broken by small patches of gorgeously-tinted
flower-beds, diversified by vases filled with trailing plants, and lines
of orange trees and fuchsias, with here and there a deep-belled datura,
all converging towards the central marble fountain, where the water
played high, and tinkled coolly in sparkling jets. Between it and the
house, there were placed in the shade some brightly-tinted cushions and
draperies, lounging chairs, and a low table, bearing an oriental-looking
service of tiny cups, of all kinds of bright and fantastic hues, no two
alike. Near it reclined on her cushions a figure in perfect keeping with
the scene, her jetty hair contrasting with her gold and coral net, her
scarlet gold-embroidered slipper peeping out from her pale buff-coloured
dress, deeply edged with rich purple, and partly concealed by a mantle of
the unapproachable pink which suggests Persia, all as gorgeous in apparel
as the blue and yellow macaw on his pole, and the green and scarlet
lories in their cage. Owen made a motion of smoking with Honor's
parasol, whispering, 'Fair Fatima! what more is wanting?'
'There! I've got Lolly out!' cried Horatia, advancing with her vehement
cordiality, and grasping their hands with all her might; 'I would have
come and pulled you up the river, Miss Charlecote, but for imperative
claims. Here's some tea for you; I know you must be parched.'
And while Mrs. Charteris, scarcely rising, held out her ring encrusted
fingers, and murmured a greeting, Ratia settled them all, pushed a chair
behind Miss Charlecote, almost threw Phoebe on a cushion, handed tea,
scolded Owen, and rattled away to Lucilla with an impetus that kept
Phoebe in increased wonder. It was all about the arrangements for the
morrow, full of the utmost good-nature and desire to secure every one's
pleasure, but all discussed in a broad out-spoken way, with a liberal use
of slang phrases, and of unprefaced surnames, a freedom of manner and
jovial carelessness of voice that specially marked Rashe Charteris at
home.
Public-domain text, read in full here on John Shaqi.
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