Didactic fiction; Men -- United States -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
"Well, Isrul Porter, who works here, has gone home," answered Mrs.
Crumb. "Arter Mis' Chase and Miss Dolly got yere, I sent Isrul arter
their pony, what they'd lef' in the woods more'n two miles off, an' he
'lowed, Isrul did, that he'd take him home with him for the night when
he found him, bekase the Porters's house is nearer than our'n to the
place where he was lef'. An' Dave, he ain't workin' ter-day; he's ailin'
a little. But _I_ kin see to yer hoss."
"Show a light and I'll do it myself," Chase answered, amused at the idea
of his leaving such work to a woman.
Portia returned to the kitchen, and came back with a burning brand of
pitch-pine, which gave out a bright flare. Carrying this as a torch, she
led the way to the stable, Chase following with the horse. "Your mare,
she's in yere erready," said the farmer's wife, pointing to Kentucky
Belle.
Then, as they went back to the house by the light of the flaring brand,
she asked whether she should go up and wake Ruth.
"Yes, and I'll go along; which room is it? Hold on, though; are you sure
my wife's asleep?"
"When I went up the minute before you come, she was, an' Miss Dolly
too."
"Well, then, I guess I won't disturb 'em just yet," said Chase, and he
went with Portia to her kitchen, where she brought forward her
rocking-chair for his use. "What time did they get here?" he inquired.
Portia, seating herself on a three-legged stool, told what she knew. As
she was finishing her story there came a growl from the dark end of the
long room, the end where the loom stood. "It's only Dave wakin' up," she
explained, and she hastened towards her husband. But as she did so he
roared "Coffee!" in impatient tones, and, hurrying back, she knelt down
and blew up the fire. "I'm comin', Dave; it's all ready," she called.
Then as she continued to work the bellows quickly she went on in a low
voice to Chase: "He'll stay awake now fer an hour or two. An' he'll be
talkin', an' takin' on, p'raps. Mebbe you'd ruther set in the best room
for a whilst? There's a fire; an' the stairs mount right up from there
to the room where yer wife's asleep, so you kin go up whenever you like.
Relse you might lay down yourself, without disturbin' 'em at all till
mawnin'. There's a good bed in the best room; none better."
Public-domain text, read in full here on John Shaqi.
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