Horace Walpole and His World: Select Passages from His LettersWalpole, Horace
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Horace Walpole and His World: Select Passages from His Letters
Walpole, Horace
Walpole, Horace, 1717-1797 -- Correspondence
“I will not answer so positively for what I am going to tell
you, as I had it only from the person himself. The Duke of
Gloucester was at Bath with the Margrave of Anspach. Lord
Nugent came up and would talk to the Duke, and then asked if
he might take the liberty of inviting his Royal Highness to
dinner? I think you will admire the quickness and propriety of
the answer:--the Duke replied, ‘My Lord, I make no acquaintance
but in London,’ where you know, Madam, he only has levees. The
Irishman continued to talk to him even after that rebuff. He
certainly hoped to have been very artful--to have made court
there, and yet not have offended anywhere else[77] by not going
in town, which would have been a gross affront to the Duke, had
he accepted the invitation.
“I was at Blackheath t’other morning, where I was grieved.
There are eleven Vander Werffs that cost an immense sum: half
of them are spoiled since Sir Gregory Page’s death by servants
neglecting to shut out the sun. There is another room hung
with the history of Cupid and Psyche, in twelve small pictures
by Luca Giordano, that are sweet. There is, too, a glorious
Claude, some fine Teniers, a noble Rubens and Snyders, two
beautiful Philippo Lauras, and a few more,--and several very
bad. The house is magnificent, but wounded me; it was built on
the model of Houghton, except that three rooms are thrown into
a gallery.
“Now I have tapped the chapter of pictures, you must go and see
Zoffani’s ‘Tribune at Florence,’ which is an astonishing piece
of work, with a vast deal of merit.
“There too you will see a delightful piece of Wilkes
looking--no, squinting tenderly at his daughter. It is a
caricature of the Devil acknowledging Miss Sin in Milton. I do
not know why, but they are under a palm-tree, which has not
grown in a free country for some centuries.
“15th.
Public-domain text, read in full here on John Shaqi.
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