Horrors and Atrocities of the Great War: Including the Tragic Destruction of the LusitaniaMarshall, Logan
History
Horrors and Atrocities of the Great War: Including the Tragic Destruction of the Lusitania
Marshall, Logan
World War, 1914-1918 -- Atrocities
At 4.30 some scaffolding around the east end of the cathedral, where
repairs were going on, caught fire and soon the whole network of poles
and planks was ablaze. Then the roof of old oak timbers caught fire and
soon the ceilings of the nave and transepts were a roaring furnace.
The blazing piers of carved woodwork crashed to the floor, where piles
of straw had been gathered in connection with the work of the field
hospital. As soon as this caught fire the paneling of the altars, the
chairs and other furniture were devoured.
Twenty wounded Germans would have perished by the efforts of their own
countrymen if several French army doctors, with their bearers, had not
carried them one by one at their own risk out of the church by one of
the side doors.
ANGER OF CROWD STILLED BY PRIESTS
There a grim scene was only prevented by the courage of the priests of
the cathedral. A crowd of about two hundred citizens had come out to
watch the terrible spectacle. As these Germans, in their uniforms,
appeared at the transept door howls of uncontrollable passion went up
from the crowd. “Kill them!” they shouted. Soldiers in the crowd
leveled their rifles, when Abbé Andrieux sprang forward between the
wounded men and the muzzles that threatened them.
“Don’t fire,” he shouted, “you would make yourselves as guilty as they.”
The reproach was enough, and amid fierce hooting and angry cries the
Germans were carried to shelter in the museum near by.
From the hills the flaming cathedral was an even more impressive sight
than in the streets of the town. From the yawning roof the red glare
poured up into the dark sky and its windows flickered with dancing
flames. So night closed down. Not for long was its stillness
undisturbed. At two o’clock German batteries opened fire again. Then
from windows that looked toward Rheims across the plain one could watch
the lurid sight of night bombardment.
At last daybreak came, a sad gray dawn, with cold, dispiriting rain
falling. When the shadows had lifted and enough light had filtered
through the low, lead-colored clouds for one to see across the plain,
the ravished city, with its ruined cathedral standing stark against the
background and a vast wall of smoke rising slowly from the still flaming
ruins, was as desolate a thing as the sun could well have found in its
journey round the world that morning.
“SUPREME SACRIFICE AGAINST THE SPIRIT OF MAN”
“Will not every artist, every writer, every lover of the beautiful,
unite with us in a protestation of horror against the infamous
destruction of Rheims Cathedral?” wrote Emile Hovelaque, French
Inspector General of Public Instruction, in a letter to the London
Times. “It was the cradle of our kings, the high altar of our race, a
sanctuary and shrine dear from every memory, sacred in every thought,
loved as our remotest past, an ever-speaking witness to the permanence
through change of the ideals, aspirations and dreams of our country.
Public-domain text, read in full here on John Shaqi.
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