Horses and Men: Tales, long and short, from our American lifeAnderson, Sherwood
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Horses and Men: Tales, long and short, from our American life
Anderson, Sherwood
American fiction -- 20th century; Short stories, American
Evidently there was something to be said. At any rate there my friend
stood, on that remarkable night of his youth, and his face and the
woman’s face drew nearer each other. Then their lips met and he took her
into his arms and held her for a moment.
That was all. They stood together, the woman of twenty-seven and the
young man of nineteen and he was a country boy and was afraid. That may
be the explanation of the fact that nothing else happened.
I do not know as to that but in telling this tale I have an advantage
you who read cannot have. I heard the tale told, brokenly, by the
man—who had the experience I am trying to describe. Story-tellers of old
times, who went from place to place telling their wonder tales, had an
advantage we, who have come in the age of the printed word, do not have.
They were both story tellers and actors. As they talked they modulated
their voices, made gestures with their hands. Often they carried
conviction simply by the power of their own conviction. All of our
modern fussing with style in writing is an attempt to do the same thing.
And what I am trying to express now is a sense I had that night, as my
friend talked to me in the park, of a union of two people that took
place in the heavy shadows by a barn in Ohio, a union of two people that
was not personal, that concerned their two bodies and at the same time
did not concern their bodies. The thing has to be felt, not understood
with the thinking mind.
Anyway they stood for a few minutes, five minutes perhaps, with their
bodies pressed against the wall of the barn and their hands together,
clasped together tightly. Now and then one of them stepped away from the
barn and stood for a moment directly facing the other. One might say it
was Europe facing America in the darkness by a barn. One might grow
fancy and learned and say almost anything but all I am saying is that
they stood as I am describing them, and oddly enough with their faces to
the barn wall—instinctively turning from the house I presume—and that
now and then one of them stepped out and stood for a moment facing the
other. Their lips did not meet after the first moment.
The next step was taken. The German awoke in the house and began
calling, and then he appeared at the kitchen door with a lantern in his
hand. It was the lantern, his carrying of the lantern, that saved the
situation for the wife and my friend. It made a little circle of light
outside of which he could see nothing, but he kept calling his wife,
whose name was Katherine, in a distracted frightened way. “Oh,
Katherine. Where are you? Oh, Katherine,” he called.
Public-domain text, read in full here on John Shaqi.
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