Horses and Men: Tales, long and short, from our American lifeAnderson, Sherwood
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Horses and Men: Tales, long and short, from our American life
Anderson, Sherwood
American fiction -- 20th century; Short stories, American
We went to his apartment on a street leading back from the lake and the
park. German, Polish, Italian and Jewish families, equipped with soiled
blankets and the ever-present half-filled bottles of milk, had come
prepared to spend the night out of doors; but the American families in
the crowd were giving up the struggle to find a cool spot and a little
stream of them trickled along the sidewalks, going back to hot beds in
the hot houses.
It was past one o’clock and my friend’s apartment was disorderly as well
as hot. He explained that his wife, with their two children, had gone
home to visit her mother on a farm near Springfield, Illinois.
We took off our coats and sat down. My friend’s thin cheeks were flushed
and his eyes shone. “You know—well—you see,” he began and then hesitated
and laughed like an embarrassed schoolboy. “Well now,” he began again,
“I’ve long been wanting to write something real, something besides
advertisements. I suppose I’m silly but that’s the way I am. It’s been
my dream to write something stirring and big. I suppose it’s the dream
of a lot of advertising writers, eh? Now look here—don’t you go
laughing. I think I’ve done it.”
He explained that he had written something concerning Chicago, the
capital and heart, as he said, of the whole Central West. He grew angry.
“People come here from the East or from farms, or from little holes of
towns like I came from and they think it smart to run Chicago into the
ground,” he declared. “I thought I’d show ’em up,” he added, jumping up
and walking nervously about the room.
He handed me many sheets of paper covered with hastily scrawled words,
but I protested and asked him to read it aloud. He did, standing with
his face turned away from me. There was a quiver in his voice. The thing
he had written concerned some mythical town I had never seen. He called
it Chicago, but in the same breath spoke of great streets flaming with
color, ghostlike buildings flung up into night skies and a river,
running down a path of gold into the boundless West. It was the city, I
told myself, I and the people of my story had been trying to find
earlier on that same evening, when because of the heat I went a little
off my head and could not work any more. The people of the city, he had
written about, were a cool-headed, brave people, marching forward to
some spiritual triumph, the promise of which was inherent in the
physical aspects of the town.
Now I am one who, by the careful cultivation of certain traits in my
character, have succeeded in building up the more brutal side of my
nature, but I cannot knock women and children down in order to get
aboard Chicago street-cars, nor can I tell an author to his face that I
think his work is rotten.
Public-domain text, read in full here on John Shaqi.
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