Horses and Men: Tales, long and short, from our American lifeAnderson, Sherwood
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Horses and Men: Tales, long and short, from our American life
Anderson, Sherwood
American fiction -- 20th century; Short stories, American
To the Appletons it seemed, at the time, as though the death of the
mother had drawn them closer together. Both Will and Fred felt it,
perhaps Will the more consciously. The family was rather in the hole
financially—the mother’s funeral had cost a good deal of money, and Fred
was being allowed to stay out of school. That pleased him. When they
worked in a house where there were other children, they came home from
school in the late afternoon and looked in through the door to where
Fred was spreading paste over the sheets of wall paper. He made a
slapping sound with the brush, but did not look at them. “Ah, go on, you
kids,” he thought. This was a man’s business he was up to. Will and his
father were on the step ladders, putting the sheets carefully into place
on the ceilings and walls. “Does she match down there?” the father asked
sharply. “Oh-kay, go ahead,” Will replied. When the sheet was in place
Fred ran and rolled out the laps with a little wooden roller. How
jealous the kids of the house were. It would be a long time before any
of them could stay out of school and do a man’s work, as Fred was doing.
And then in the evening, walking homeward, it was nice, too. Will and
Fred had been provided with suits of white overalls that were now
covered with dried paste and spots of paint and looked really
professional. They kept them on and drew their overcoats on over them.
Their hands were stiff with paste, too. On Main Street the lights were
lighted, and other men passing called to Tom Appleton. He was called
Tony in the town. “Hello, Tony!” some storekeeper shouted. It was rather
too bad, Will thought that his father hadn’t more dignity. He was too
boyish. Young boys growing up and merging into manhood do not fancy
fathers being too boyish. Tom Appleton played a cornet in the Bidwell
Silver Cornet Band and didn’t do the job very well—rather made a mess of
it, when there was a bit of solo work to be done—but was so well liked
by the other members of the band that no one said anything. And then he
talked so grandly about music, and about the lip of a cornet player,
that everyone thought he must be all right. “He has an education. I tell
you what, Tony Appleton knows a lot. He’s a smart one,” the other
members of the band were always saying to each other.
“Well, the devil! A man should grow up after a time, perhaps. When a
man’s wife had died but such a short time before, it was just as well to
walk through Main Street with more dignity—for the time being, anyway.”
Tom Appleton had a way of winking at men he passed in the street, as
though to say, “Well, now I’ve got my kids with me, and we won’t say
anything, but didn’t you and I have the very hell of a time last
Wednesday night, eh? Mum’s the word, old pal. Keep everything quiet.
There are gay times ahead for you and me. We’ll cut loose, you bet, when
you and me are out together next time.”
Public-domain text, read in full here on John Shaqi.
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