Horses and Men: Tales, long and short, from our American lifeAnderson, Sherwood
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Horses and Men: Tales, long and short, from our American life
Anderson, Sherwood
American fiction -- 20th century; Short stories, American
He stood in the hallway of a house hearing two voices. Was he trying to
close his ears to one of them? Did the second voice, the one he had been
trying all day, and all the night before, not to hear, did that have
something to do with the end of his life in the Appleton house at
Bidwell? Was the voice trying to taunt him, trying to tell him that now
he was a thing swinging in air, that there was no place to put down his
feet? Was he afraid? Of what was he afraid? He had wanted so much to be
a man, to stand on his own feet and now what was the matter with him?
Was he afraid of manhood?
He was fighting desperately now. There were tears in the old man’s eyes,
and Will also began crying silently and that was the one thing he felt
he must not do.
The old man talked on and on, telling the tale of his troubles, but Will
could not hear his words. The struggle within was becoming more and more
definite. His mind clung to the life of his boyhood, to the life in the
Appleton house in Bidwell.
There was Fred, standing in the field of his fancy now, with just the
triumphant look in his eyes that came when other boys saw him doing a
man’s work. A whole series of pictures floated up before Will’s mind. He
and his father and Fred were painting a barn and two farmer boys had
come along a road and stood looking at Fred, who was on a ladder,
putting on paint. They shouted, but Fred wouldn’t answer. There was a
certain air Fred had—he slapped on the paint, and then turning his head,
spat on the ground. Tom Appleton’s eyes looked into Will’s and there was
a smile playing about the corners of the father’s eyes and the son’s
eyes too. The father and his oldest son were like two men, two workmen,
having a delicious little secret between them. They were both looking
lovingly at Fred. “Bless him! He thinks he’s a man already.”
And now Tom Appleton was standing in the kitchen of his house, and his
brushes were laid out on the kitchen table. Kate was rubbing a brush
back and forth over the palm of her hand. “It’s as soft as the cat’s
back,” she was saying.
Something gripped at Will’s throat. As in a dream, he saw his sister
Kate walking off along the street on Sunday evening with that young
fellow who clerked in the jewelry store. They were going to church. Her
being with him meant—well, it perhaps meant the beginning of a new
home—it meant the end of the Appleton home.
Will started to climb out of the seat beside the old man in the smoking
car of the train. It had grown almost dark in the car. The old man was
still talking, telling his tale over and over. “I might as well not have
any home at all,” he was saying. Was Will about to begin crying aloud on
a train, in a strange place, before many strange men. He tried to speak,
to make some commonplace remark, but his mouth only opened and closed
like the mouth of a fish taken out of the water.
Public-domain text, read in full here on John Shaqi.
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