Horses and Men: Tales, long and short, from our American lifeAnderson, Sherwood
General
Horses and Men: Tales, long and short, from our American life
Anderson, Sherwood
American fiction -- 20th century; Short stories, American
Now he had almost reached the docks. Not only the night but his own
body, the pavements under his feet, and the stars far away in the
sky—even the solid factory buildings he was now passing—seemed strange
and unreal. It was almost as though one could thrust out an arm and push
a hand through the walls, as one might push his hand into a fog or a
cloud of smoke. All the people Will passed seemed strange, and acted in
a strange way. Dark figures surged toward him out of the darkness. By a
factory wall there was a man standing—perfectly still, motionless. There
was something almost unbelievable about the actions of such men and the
strangeness of such hours as the one through which he was now passing.
He walked within a few inches of the motionless man. Was it a man or a
shadow on the wall? The life Will was now to lead alone, had become a
strange, a vast terrifying thing. Perhaps all life was like that, a
vastness and emptiness.
He came out into a place where ships were made fast to a dock and stood
for a time, facing the high wall-like side of a vessel. It looked dark
and deserted. When he turned his head he became aware of a man and a
woman passing along a roadway. Their feet made no sound in the thick
dust of the roadway, and he could not see or hear them, but knew they
were there. Some part of a woman’s dress—something white—flashed faintly
into view and the man’s figure was a dark mass against the dark mass of
the night. “Oh, come on, don’t be afraid,” the man whispered, hoarsely.
“There won’t anything happen to you.”
“Do shut up,” a woman’s voice answered, and there was a quick outburst
of laughter. The figures fluttered away. “You don’t know what you are
talking about,” the woman’s voice said again.
Now that he had got Kate’s letter, Will was no longer a boy. A boy is,
quite naturally, and without his having anything to do with the matter,
connected with something—and now that connection had been cut. He had
been pushed out of the nest and that fact, the pushing of himself off
the nest’s rim, was something accomplished. The difficulty was that,
while he was no longer a boy, he had not yet become a man. He was a
thing swinging in space. There was no place to put down his feet.
He stood in the darkness under the shadow of the ship making queer
little wriggling motions with his shoulders, that had become now almost
the shoulders of a man. No need now to think of evenings at the Appleton
house with Kate and Fred standing about, and his father, Tom Appleton,
spreading his paint brushes on the kitchen table, no need of thinking of
the sound of Kate’s feet going up a stairway of the Appleton house, late
at night when she had been out walking with her clerk. What was the good
of trying to amuse oneself by thinking of a shepherd dog in an Ohio
town, a dog made ridiculous by the trembling hand of a timid old woman?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account