Horses and Men: Tales, long and short, from our American lifeAnderson, Sherwood
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Horses and Men: Tales, long and short, from our American life
Anderson, Sherwood
American fiction -- 20th century; Short stories, American
Well, he had the notion that no one in the world could think or feel
anything alone, and that people only got into trouble and walled
themselves in by trying it, or something of the sort. There was a
discord. Things were jangled. Someone, it seems, had to strike a pitch
that all voices could take up before the real song of life could begin.
Mind you I’m not putting forth any notions of my own. What I am trying
to do is to give you a sense of something I got from having read
Wilson’s stuff, from having known him a little, and from having seen
something of the effect of his personality upon others.
He felt, quite definitely, that no one in the world could feel or even
think alone. And then there was the notion, that if one tried to think
with the mind without taking the body into account, one got all
balled-up. True conscious life built itself up like a pyramid. First the
body and mind of a beloved one must come into one’s thinking and feeling
and then, in some mystic way, the bodies and minds of all the other
people in the world must come in, must come sweeping in like a great
wind—or something of the sort.
Is all this a little tangled up to you, who read my story of Wilson? It
may not be. It may be that your minds are more clear than my own and
that what I take to be so difficult will be very simple to you.
However, I have to bring up to you just what I can find, after diving
down into this sea of motives and impulses—I admit I don’t rightly
understand.
The hunchback girl felt (or is it my own fancy coloring what she
said?)—it doesn’t really matter. The thing to get at is what the man
Edgar Wilson felt.
He felt, I fancy, that in the field of poetry he had something to
express that could never be expressed until he had found a woman who
could, in a peculiar and absolute way, give herself in the world of the
flesh—and that then there was to be a marriage out of which beauty would
come for all people. He had to find the woman who had that power, and
the power had to be untainted by self-interest, I fancy. A profound
egotist, you see—and he thought he had found what he needed in the wife
of the Kansas druggist.
He had found her and had done something to her. What it was I can’t
quite make out, except that she was absolutely and wholly happy with
him, in a strangely inexpressive sort of way.
Trying to speak of him and his influence on others is rather like trying
to walk on a tightrope stretched between two tall buildings above a
crowded street. A cry from below, a laugh, the honk of an automobile
horn, and down one goes into nothingness. One simply becomes ridiculous.
He wanted, it seems, to condense the flesh and the spirit of himself and
his woman into his poems. You will remember that in one of the things of
his I have quoted he speaks of condensing, of squeezing all the people
of a city into one person and of loving that person.
Public-domain text, read in full here on John Shaqi.
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