Horses and Men: Tales, long and short, from our American lifeAnderson, Sherwood
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Horses and Men: Tales, long and short, from our American life
Anderson, Sherwood
American fiction -- 20th century; Short stories, American
She was no doubt then as she always was in his presence—silent and
satisfied with the fact that she was with him. There was nothing he
could think or feel that did not take her into account. The very blood
flowing up through his body was her blood too. He had made her feel
that, and she was silent and satisfied as he went along, his body
walking beside her but his fancy groping its way through the land of
high walls and deep wells.
They had walked from the restaurant, in the Loop District, over a bridge
to the North Side, and still no words passed between them.
When they had almost reached their own place the stage-hand, the small
man with the nervous hands who had written the notes, appeared out of
the fog, as though out of nowhere, and shot the woman.
That was all there was to it. It was as simple as that.
They were walking, as I have described them, when a head flashed up
before the woman in the midst of the fog, a hand shot out, there was the
quick abrupt sound of a pistol shot and then the absurd little
stage-hand, he with the wrinkled impotent little old woman’s face—then
he turned and ran away.
All that happened, just as I have written it and it made no impression
at all on the mind of Wilson. He walked along as though nothing had
happened and the woman, after half falling, gathered herself together
and managed to continue walking beside him, still saying nothing.
They went thus, for perhaps two blocks, and had reached the foot of the
outer stairs that led up to their place when a policeman came running,
and the woman told him a lie. She told him some story about a struggle
between two drunken men, and after a moment of talk the policeman went
away, sent away by the woman in a direction opposite to the one taken by
the fleeing stage-hand.
They were in the darkness and the fog now and the woman took her man’s
arm while they climbed the stairs. He was as yet—as far as I will ever
be able to explain logically—unaware of the shot, and of the fact that
she was dying, although he had seen and heard everything. What the
doctors said, who were put on the case afterwards, was that a cord or
muscle, or something of the sort that controls the action of the heart,
had been practically severed by the shot.
She was dead and alive at the same time, I should say.
Anyway the two people marched up the stairs, and into the room above,
and then a really dramatic and lovely thing happened. One wishes that
the scene, with just all its connotations, could be played out on a
stage instead of having to be put down in words.
The two came into the room, the one dead but not ready to acknowledge
death without a flash of something individual and lovely, that is to
say, the one dead while still alive and the other alive but at the
moment dead to what was going on.
Public-domain text, read in full here on John Shaqi.
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