Horses and Men: Tales, long and short, from our American lifeAnderson, Sherwood
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Horses and Men: Tales, long and short, from our American life
Anderson, Sherwood
American fiction -- 20th century; Short stories, American
With her head a whirlpool of thought May stared, half wildly, about. If
in her own room in the Edgley house, and when she had hidden herself
away by the willows by the creek, she had built herself a tower of
romance in which she could live and from the windows of which she could
look down upon life, striving to understand it, to understand people,
the tower was now being destroyed. Hands were tearing at it, strong,
determined hands. She had felt them as she sat in the surrey with Maud
and the two grocers, outbound from Bidwell. Then as now she wondered why
she had consented to come to the dance. Well, she had come because not
to come would bring a disappointment to Maud Welliver, the only woman
who had come in any way close to herself, and now she was at the dance
and Maud had gone away, outdoors into darkness. She had gone away with a
man and it had been understood that would not happen. There was the
matter of the prince, her lover. It had been understood that, because of
the prince, Maud would not leave her alone with another man, and she had
left, had gone outdoors with a grocer and had left another grocer
sitting beside May.
Hands were tearing at her tower of romance, the tower she had built so
slowly and painfully, the tower in which she had found the prince, the
tower in which she had found a way to live and to be happy in spite of
the ugliness of actuality. Dust arose from the walls. An army of men and
women, male and female Jerome Hadleys, were charging down upon it. There
would be rape and murder and how could she, left alone, withstand them.
The prince had gone away. He was now far, far away, and the invaders
would clamor over the walls. They would throw her down from the walls.
The beautiful hangings in the tower, the rich silken gowns, the stones
from strange lands, all the treasures of the tower would be destroyed.
* * * * *
May had worked herself into a state of mind that made her want to
scream. In the room the dance went on, the shrill voice of Rat Gould
called off and the fiddles made dance music to which heavy feet scraped
over rough boards. By her side sat Grocer Wilder, still talking of the
K. of P. convention at Cleveland and May felt that, in coming to the
dance, she had raised a knife that in a moment would be plunged into her
own breast. She arose to go out of the room, out into the night, out of
the sight of people—but for a moment stood uncertain, looking vaguely
about. Then she sat heavily down. Grocer Wilder also arose and his face
grew red. “I’ve made a break,” he thought. He wondered what he had said
that had offended May. “Maybe she didn’t want me to smoke,” he told
himself and threw the end of his cigar out through a window. The moment
reminded him of many moments of his married life. It was like having his
wife back, this feeling of having offended a woman, without knowing in
just what the offense lay.
* * * * *
Public-domain text, read in full here on John Shaqi.
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