Horses and Men: Tales, long and short, from our American lifeAnderson, Sherwood
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Horses and Men: Tales, long and short, from our American life
Anderson, Sherwood
American fiction -- 20th century; Short stories, American
“It is horrible stuff, this whiskey, eh, but after all this is a
horrible town. One couldn’t drink wine here. Wine belongs to a sunny,
laughing people and clime,” he said. He had a notion that drunkenness
was necessary to men in such a modern industrial city as the one in
which we lived. “You wait,” he said, “you’ll see what will happen. One
of these days the reformers will manage to take whiskey away from us,
and what then? We’ll sag down, you see. We’ll become like old women, who
have had too many children. We’ll all sag spiritually and then you’ll
see what’ll happen. Without whiskey no people can stand up against all
this ugliness. It can’t be done, I say. We’ll become empty and
bag-like—we will—all of us. We’ll be like old women who were never loved
but who have had too many children.”
We had walked through many streets and had come to a bridge over a
river. It was growing dark now and we stood for a time in the dusk and
in the uncertain light the structures, built to the very edge of the
stream, great warehouses and factories, began to take on strange shapes.
The river ran through a canyon formed by the buildings, a few boats
passed up and down, and over other bridges, in the distance, street-cars
passed. They were like moving clusters of stars against the dark purple
of the sky.
From time to time he sucked at the whiskey bottle and occasionally
offered me a drink but often he forgot me and drank alone. When he had
taken the bottle from his lips he held it before him and spoke to it
softly, “Little mother,” he said, “I am always at your breast, eh? You
cannot wean me, can you?”
He grew a little angry. “Well, then why did you drop me down here?
Mothers should drop their children in places where men have learned a
little to live. Here there is only a desert of buildings.”
He took another drink from the bottle and then held it for a moment
against his cheek before passing it to me. “There is something feminine
about a whiskey bottle,” he declared. “As long as it contains liquor one
hates to part with it and passing it to a friend is a little like
inviting a friend to go in to your wife. They do that, I’m told, in some
of the Oriental countries—a rather delicate custom. Perhaps they are
more civilized than ourselves, and then, you know, perhaps, it’s just
possible, they have found out that the women sometimes like it too, eh?”
I tried to laugh but did not succeed very well. Now that I am writing of
my friend, I find I am not making a very good likeness of him after all.
It may be that I overdo the note of sadness I get into my account of
him. There was always that element present but it was tempered in him,
as I seem to be unable to temper it in my account of him.
Public-domain text, read in full here on John Shaqi.
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