Horses and Men: Tales, long and short, from our American lifeAnderson, Sherwood
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Horses and Men: Tales, long and short, from our American life
Anderson, Sherwood
American fiction -- 20th century; Short stories, American
The incident in the newspaper office had stayed in my friend’s mind. It
swam about in his mind as in a pool. At recurring times, perhaps once
every six months, he told the story, using always the same words and the
tenseness of that moment in the newspaper office was reproduced in him
over and over. He grew excited. Now the men in the office were all
gathering about the little blue-eyed Murdock. He had killed his wife,
her lover and three children. Then he had run into the street and quite
wantonly shot two men, innocently passing the house. He sat talking
quietly and all the police of the city, and all the reporters for the
other newspapers, were looking for him. There he sat talking, nervously
telling his story. There wasn’t much to the story. “I did it. I just did
it. I guess I was off my nut,” he kept saying.
“Well, the story will have to be stretched out.” The cub reporter who
has brought him in walks about the office proudly. “I’ve done it! I’ve
done it! I’ve proven myself the greatest newspaper man in the city.” The
older men are laughing. “The fool! It’s fool’s luck. If he hadn’t been a
fool he would never have done it. Why he walked right up. ‘Are you
Murdock?’ He had gone about all over town, into saloons, asking men,
‘Are you Murdock?’ God is good to fools and drunkards!”
My friend told the story to me ten, twelve, fifteen times, and did not
know it had grown to be an old story. When he had reproduced the scene
in the newspaper office he made always the same comment. “It’s a good
yarn, eh. Well it’s the truth. I was there. Someone ought to write it up
for one of the magazines.”
I looked at him, watched him closely as he told the story and as I grew
older and kept hearing the murderer’s story and certain others, he also
told regularly without knowing he had told them before, an idea came to
me. “He is a tale-teller who has had no audience,” I thought. “He is a
stream dammed up. He is full of stories that whirl and circle about
within him. Well, he is not a stream dammed up, he is a stream
overfull.” As I walked beside him and heard again the story of the cub
reporter and the murderer I remembered a creek back of my father’s house
in an Ohio town. In the spring the water overflowed a field near our
house and the brown muddy water ran round and round in crazy circles.
One threw a stick into the water and it was carried far away but, after
a time, it came whirling back to where one stood on a piece of high
ground, watching.
What interested me was that the untold stories, or rather the
uncompleted stories of my friend’s mind, did not seem to run in circles.
When a story had attained form it had to be told about every so often,
but the unformed fragments were satisfied to peep out at one and then
retire, never to reappear.
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Public-domain text, read in full here on John Shaqi.
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