Hot corn: Life Scenes in New York IllustratedRobinson, Solon
General
Hot corn: Life Scenes in New York Illustrated
Robinson, Solon
New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; Temperance -- Fiction
"Cow Bay, Farlow's Court, and Rotten Row, would be no more, and my
occupation would be gone," said the fiend. "It must not be. Dry up rum,
and murder would cease and misery have no home here. It must not be.
_Our_ trade is in danger; I must alarm my friends!"
And he clattered his cloven foot down the steps of a nearby cellar,
where there were loud sounds of blasphemous words, the noise of jingling
glasses, and much wrangling, amid which I heard female voices in one of
the "private rooms," and then an order for more wine--then I heard old
cloven foot say, "give them a bottle of two-and-sixpenny cider, they are
so drunk now they wont know the odds."
Then I understood why the fiend said "our trade"--it is one which none
else than such delight in.
I listened again. There was an awful string of oaths coming up out of
the infernal regions, where men and women--street-walkers--were getting
drunk upon alcohol, carbonic acid, and cider, mixed into three dollar
bottles of "wine"--pure champagne.
"Give me my pocket-book, you----"
I cannot repeat the horrid expletives. Why does a man call a woman with
whom he associates, such vile names? Why does the woman retort upon him
that he is the son of a female dog, and call upon God to send his soul
to perdition? Because they have "tarried long at the wine; have looked
upon it when it is red, when it giveth its color in the cup." Now "it
biteth like a serpent and stingeth like an adder."
Now the woman has picked the pocket of her male companion--I cannot say
gentleman; now he utters those terrible oaths; now she pours out such a
stream of words as would pollute the very air where virtue lives; now
there is a struggle; now a man is stabbed by a woman; now there is a
crash of broken glass, a female street-walker is knocked down with a
bottle in the hands of a man who has picked her up, and whose pockets
she has picked; surely it was no vision of the brain that fancied we saw
the incarnate fiend go down there; now there is a cry of murder; now
there is a rapping of clubs upon the pavement, and running of men with
brass stars upon the left breast of their coats; now the police bear up
a wounded man--if, Madalina was here her wounded breast would ache with
new pain--she is avenged at last; now they drag up a woman, a young
girl, on her way to the Tombs--it is Julia Antrim.
Drop the curtain. Surely you would not look into a prison cell, or go
into the police court, or with a "vagrant," not yet fourteen years old,
to Randall's Island. In some change of the scene you may see her again.
_Quien sabe?_
"It was late next morning," said Mr. Pease, "when I woke up, and then I
lay in a sort of dreamy reverie, thinking what a world of good I could
do if I had plenty of means, until near ten o'clock. Finally, I heard an
uneasy step outside my door and at length it seemed to venture to
approach, and then there was a timid rap."
"May I come in?"
"Yes, Tom, come in. What is it, Tom?"
Public-domain text, read in full here on John Shaqi.
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