Hot corn: Life Scenes in New York IllustratedRobinson, Solon
General
Hot corn: Life Scenes in New York Illustrated
Robinson, Solon
New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; Temperance -- Fiction
For the next six months she never allowed herself to think. She was
lost. The instruments of darkness had betrayed her into the deepest
consequences.
The scene shifts.
Shall we see Athalia again?
Wait.
CHAPTER XIII.
THE LITTLE PEDLAR.--MORE OF ATHALIA.
"Wisdom and goodness to the vile seem vile,"
And thus at this may laugh the scoffer.
"Let those laugh who win."
We started in the first chapter of our volume of "Life Scenes," to take
an evening-walk up Broadway. How little progress we have made. We turned
off at Cortland street, to follow Mrs. Eaton and her children home, and
then we went with the crowd to the fire. Then we came back to listen to
the cry of "Hot Corn, hot corn! here is your nice hot corn, smoking
hot!" that came up in such plaintive music from the mouth of Little
Katy, in the Park. Then we followed her to her home, and to her grave.
What a ramble I have led you, reader. Occasionally our route has led us
back again and again into this great, broad, main artery of the lower
part of this bustling world, this great moving, living body, called New
York. There are several other broadways in the upper part of the city.
We have but one in the lowest portion of it--that is for carriages.
There are a good many broadways of the town, through which pedestrians
go, where they "put an enemy in the mouth to steal away the brains," an
enemy
"Whose edge is sharper than the sword: whose tongue
Out-venoms all the worms of Nile; whose breath
Rides on the winds, and doth belie
All corners of the world; kings, queens, and states,
Maids, matrons," all in one fell swoop,
To earth struck down.
Such a broadway may be seen, nay, must be seen, by all who enter the
great, high, oaken doors of the granite portal of one of the best of the
great Broadway hotels in New York, for the way is wide open, inviting
the weary traveller to enter the great, dome-shaped "exchange"--exchange
of gold, health, peace of mind, domestic blessings, for a worm that will
gnaw out the very soul; a worm with teeth, "whose edge is sharper than
the sword."
That granite pile is a creditable ornament to the city. Its walls have a
look of solidity as enduring as the hills. Yet it contains an element
within that has settled the strong built fabrics of a greater Master
Builder than the architect of that house, down to the very dust, in a
few short years, carrying with it marble palaces and granite walls.
That building was erected by one who sprang, from a class as lowly as
the day laborer who helped to rear its walls, to almost immeasurable
wealth, by a life of industry, free from the vice or misfortune of
drunkenness.
Public-domain text, read in full here on John Shaqi.
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