Hot corn: Life Scenes in New York IllustratedRobinson, Solon
General
Hot corn: Life Scenes in New York Illustrated
Robinson, Solon
New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; Temperance -- Fiction
What prompted me to look again at the name? I knew it as well as I
should if I looked at that paper a hundred times. Yet I was prompted to
look at it once more. The desire was irresistible. Who has ever felt a
longing after something unseen, unknown, unheard, undefined, something
that he feels as though he must have or die, yet knows not how to
obtain, may realize the intensity of my desire to see that paper once
more. Where is it? This pocket, and that is searched, turned wrong side
out, and turned back again; the table, floor, books, papers, hunted
over, but nowhere can it be found. What has spirited it away? It could
not blow out of the window, for there is no air stirring.
"It must," said the lady, "have gone down on the tea-tray--I will call
Bridget."
A woman is worth a dozen men for thought, and this time she thought
truly. It had gone down that way, and gone into the slop-bucket, and
into the street.
"Bridget, will you take a lamp and go out and see if you can find it."
"Yes, sir, certainly, and I think I can."
Blessed hope. My friend was curious to know, what in the world I wanted
of that piece of paper? "You say, you remember the name and number
perfectly, and yet you act as though it was of the utmost value. I
recollect seeing you once when you had lost a twenty dollar bill, as
cool and careless as though it had been as worthless as this little
scrap of paper. Now you act strangely, what can it mean?"
"I don't know--I know I want to see that paper. I cannot tell why."
"Well, you will soon be gratified. She has found it. Do wait, don't be
so impatient to meet her at the foot of the stairs."
I did not wait though. I gave one glance at the soiled scrap--it was
enough--the pen and ink name had faded out, but there were three
words--talismanic words--in pencil marks, evidently added as an
after-thought by her who had first written her name in ink--words which
sent me out of the door, and half way to the next street, before that
voice, sent after me from the stair-head, of "Do stop him, Bridget, he
is crazy, to go out in this rain," had reached my ears. It did not stop
me--I was gone beyond the reach of her voice. The girl stood amazed. She
looked at the scrap of paper with about the same degree of astonishment
as did the savage tribe at the white man's paper talk.
"Bring it to me, Bridget."
"He is gone, ma'am."
"Yes, yes, I know he is gone, bring it to me."
"I can't ma'am, he is gone."
"Not him, Bridget, the paper, the paper. I want to see what is on it,
that has driven that man out at this hour, in such a rainy night."
Public-domain text, read in full here on John Shaqi.
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