Hot corn: Life Scenes in New York IllustratedRobinson, Solon
General
Hot corn: Life Scenes in New York Illustrated
Robinson, Solon
New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; Temperance -- Fiction
That voice, those words. Do I dream, or are there spirits near? Oh, how
familiar--how painfully familiar--reminiscential of things past. What
can it mean? But one voice ever spoke those words in that tone, and that
voice will never speak again. The dreamer is in the street. It is my
brain that is disturbed. Hark! Again! I heard aright.
"Oh, no, he will not come. Why should he? What am I to him? Yet I wanted
to see him a moment. It seems as though it is he only who can protect me
from that dreaded man. Oh, Phebe, Phebe, what should we do if he were to
come here to-night? He has sworn to have revenge upon me for leaving
him; yet how could I live with a man who threatened my life every day in
his drunken fits? Long after I went to Paris, he wrote to me that he
would rob me of my child--his child, if he died in the attempt. I long
thought--nay, hoped that he was--that is, that he never would return
from Cuba. I heard of him in the dungeons of the Moro, and now he is
here."
"Yes, ma'am, I is sure he is here. Dat am de fact. Jis sich man, stout,
red face, black hair, and such eyes. I is sure he is a wicked man."
"Only when he is drinking."
"Well, dat all de time wid some folk."
There was a groan of anguish in the bed.
"But, Phebe, you describe his looks just as I saw them to-day. Have you
seen him?"
"Oh, yes, ma'am--thought I wouldn't tell you though--but it come out
when I didn't know him."
"Where? Has he been here? Has he tracked me home?"
"Why, you see, ma'am, when I goes to the door to let Agnes Brentnall
out, I sees him over the way, by de lamp, and when she goes down the
street, he walks after her, and dat am last I see of him dis night."
"Poor girl, then she is lost. If ever he fixes his basalisk eye upon her
beauty, how can she escape. Poor girl--God protect thee--man will not."
There was a sobbing that told of tears--tears that told of a kind heart,
crushed by a cold and careless world.
Then I was about to enter, but something said, "not yet," and I stepped
down into the shadow by the high steps, till the footfall I heard upon
the pavement should go by.
It did not pass--it came directly up to the door, familiar as a burglar
with its night latch key. Why had they not bolted the door? It opened
as though to one who had a right to enter. The intruder--it was the
dark-visaged man I had seen five minutes before--closed the door gently
after him without latching it.
There was a thin lace curtain before the window, through which, as I
looked in between the slats of the blind, I could see him as he
approached the bed. Phebe had left the light and gone into the back
room. The lady had buried her face in the pillows--nothing but her raven
locks, hanging loose in her neck, were visible. The villain looked at
her for a moment, then, satisfied that she was asleep, he reached over
her, and lifted a beautiful little girl from her side.
"Mother! mother!"
Public-domain text, read in full here on John Shaqi.
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