Hot corn: Life Scenes in New York IllustratedRobinson, Solon
General
Hot corn: Life Scenes in New York Illustrated
Robinson, Solon
New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; Temperance -- Fiction
It was not so. Everybody wanted her there but her miserable father.
Everybody else loved Athalia. They saw no city airs; all they saw was
that a rough diamond had been polished. What is it worth without?
So she came back to the city with a heavy heart. What was she to do? She
could go back to her old shop and work eighteen hours a day, for
twenty-five cents, and scanty food; lodging, as she had done during her
long year of apprenticeship, three in a narrow bed, in a room with just
air and space enough for the decent accommodation of a cat, nothing
more. What hope in such a life? What would she have at the end of the
year? Just what she had at the beginning? No; for one year of youth
would be gone.
She could not go back; there was no hope there. So, with another girl
just as poor, but just as willing to work, she took a room, and took in
work, or went out to do it. Then how she was exposed, how in danger.
Libertines live in genteel families. Ah, and are pet sons of mothers who
would give dollars to dissipated rakes, and grudge shillings to poor
dress-makers. And if the poor girl should be caught in the snare of such
a son, how the mother would rave and drive her away unpaid, because she
had disgraced her "respectable boy."
Mrs. Morgan was one of Athalia's lady "patrons." Haughtily proud, yet
not, like some of her class, positively dishonest, cruelly dishonest.
She wanted the labor of the poor sewing girl, because she possessed
great taste, and could dress her daughters better, and what was still
more, though so little practised by the rich, cheaper, than she could
get their dresses at a "regular establishment." That was just what the
daughters most disliked. They knew that none of their acquaintances wore
such neat-fitting dresses, but when the question was put, "Where did you
get them made?" they could not answer, "Oh, we always get everything at
Madame Chalambeau's fashionable establishment in Broadway."
They could not change their mother's policy, and so they determined to
drive poor Athalia out of the house.
They had another object. Athalia was beautiful. Her face was such as we
are apt to conceive that an angel must have. And everybody who came in
the house while she was there, and saw her, said, "Oh, what a sweet
face!"
This was gall and wormwood to the "young ladies," for their faces were
just such as you would suppose were made out of those two ingredients,
and they were true indications of their minds. So they hated the poor
seamstress for double cause.
At first she came to the table with the family. But the girls could not
help observing that she was the diamond, they the setting, to all eyes.
She was better bred than they, with all their boarding-school education.
Where had she got it? In a country school house, and her mother's
kitchen.
Public-domain text, read in full here on John Shaqi.
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