Hours in a Library, Volume 1: New Edition, with AdditionsStephen, Leslie
History
Hours in a Library, Volume 1: New Edition, with Additions
Stephen, Leslie
English literature -- History and criticism
The ring, however, had a singular history in
Balzac's dreamland. It was impressed with the seal of the Prophet, and
had been stolen by the English from the Great Mogul. Balzac had or had
not been informed by the Turkish ambassador that that potentate would
repurchase it with tons of gold and diamonds, and was benevolent enough
to propose that his friend should share in the stores which would exceed
the dreams of Aladdin.
How far these and other such fancies were a merely humorous protest
against the harsh realities of life, may be a matter of speculation; but
it is less doubtful that the fictitious personages with whom Balzac
surrounded himself lived and moved in his imagination as distinctly as
the flesh-and-blood realities who were treading the pavement of Paris.
He did not so much invent characters and situations as watch his
imaginary world, and compile the memories of its celebrities. All
English readers are acquainted with the little circle of clergymen and
wives who inhabit the town of Barchester. Balzac has carried out the
same device on a gigantic scale. He has peopled not a country town but a
metropolis. There is a whole society, with the members of which we are
intimate, whose family secrets are revealed to us, and who drop in, as
it were, in every novel of a long series, as if they were old friends.
When, for example, young Victurnien d'Esgrignon comes to Paris he makes
acquaintance, we are told, with De Marsay, Maxime de Trailles, Les
Lupeaulx, Rastignac, Vandenesse, Ajuda-Pinto, the Duchesses de
Grandlieu, de Carigliano, de Chaulieu, the Marquises d'Espard,
d'Aiglemont, and De Listomere, Madame Firmiani, the Comtesse de Serizy,
and various other heads of the fashionable world. Every one of these
special characters has a special history. He or she appears as the hero
or heroine of one story, and plays subsidiary parts in a score of
others. They recall to us innumerable scandalous episodes, with which
anybody who lives in the imaginary society of Balzac's Paris feels it a
duty to be as familiar as a back-stairs politician with the gossip of
the House of Commons. The list just given is a mere fragment of the
great circle to which Balzac introduces us. The history of their
performances is intimately connected with the history of the time; nay,
it is sometimes essential to a full comprehension of recent events.
Bishop Proudie, we fear, would scarcely venture to take an active part
in the Roman Catholic emancipation; he would be dissolved into thin air
by contact with more substantial forms; but if you would appreciate the
intrigues which were going on at Paris during the campaign of Marengo,
you must study the conversations which took place between Talleyrand,
Fouche, Sieyes, Carnot, and Malin, and their relations to that prince of
policemen, the well-known Corentin. De Marsay, we are told, with
audacious precision of time and place, was President of the Council in
1833.
Public-domain text, read in full here on John Shaqi.
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