Richardson's defects are, of course, obvious enough. He cares nothing, for example, for what we call the beauties of nature. There is scarcely throughout his books one description showing the power of appealing to emotions through scenery claimed by every modern scribbler. In passing the Alps, the only remark which one of his characters has to make, beyond describing the horrible dangers of the Mont Cenis, is that 'every object which here presents itself is excessively miserable.' His ideal scenery is a 'large and convenient country-house, situated in a spacious park,' with plenty of 'fine prospects,' which you are expected to view from a 'neat but plain villa, built in the rustic taste.' And his views of morality are as contracted as his taste in landscapes. The most distinctive article of his creed is that children should have a reverence for their parents which would be exaggerated in the slave of an Eastern despot. We can pardon Clarissa for refusing to die happy until her stupid and ill-tempered old father has revoked a curse which he bestowed upon her. But we cannot quite excuse Sir Charles Grandison for writing in this fashion to his disreputable old parent, who has asked his consent to a certain family arrangement in which he had a legal right to be consulted:-- 'As for myself,' he says, 'I cannot have one objection; but what am I in this case? My sister is wholly my father's; I also am his. The consideration he gives me in this instance confounds me. It binds me to him in double duty. It would look like taking advantage of it, were I so much as to offer my humble opinion, unless he were pleased to command it from me.'