Hours in a Library, Volume 2: New Edition, with AdditionsStephen, Leslie
History
Hours in a Library, Volume 2: New Edition, with Additions
Stephen, Leslie
English literature -- History and criticism
This is the peculiar turn which gives so characteristic a tone to
Cowper's loving portraits of scenery. He is like the Judas seen by St.
Brandan on the iceberg; he is enjoying a momentary relaxation between
the past of misery and the future of anticipated torment. Such a
sentiment must, fortunately, be in some sense exceptional and
idiosyncratic. And yet, once more, it fell in with the prevailing
current of thought. Cowper agrees with Rousseau in finding that the
contemplation of scenery, unpolluted by human passion, and the enjoyment
of a calm domestic life is the best anodyne for a spirit wearied with
the perpetual disorders of a corrupt social order. He differs from him,
as we have seen, in the conviction that a deeper remedy is wanting than
any mere political change; in a more profound sense of human wickedness,
and, on the other hand, in a narrower estimate of the conditions of
human life. His definition of Nature, to put it logically, would exclude
that natural man in whose potential existence Rousseau more or less
believed. The passionate love of scenery was enough to distinguish him
from the poets of the preceding school, whose supposed hatred of Nature
meant simply that they were thoroughly immersed in the pleasures of a
society then first developed in its modern form, and not yet undermined
by the approach of a new revolution. The men of Pope and Addison's time
looked upon country squires as bores incapable of intellectual pleasure,
and, therefore, upon country life as a topic for gentle ridicule, or
more frequently as an unmitigated nuisance. Probably their estimate was
a very sound one. When a true poet like Thomson really enjoyed the fresh
air, his taste did not become a passion, and the scenery appeared to him
as a pleasant background to his Castle of Indolence. Cowper's peculiar
religious views prevented him again from anticipating the wider and more
philosophical sentiment of Wordsworth. Like Pope and Wordsworth, indeed,
he occasionally uses language which has a pantheistic sound. He
expresses his belief that
There lives and works
A soul in all things, and that soul is God.
Public-domain text, read in full here on John Shaqi.
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