who is made more compassionate by familiarity with sorrow, more placable by contest, purer by temptation, and more enduring by distress.[28] It is owing to the constant presence of this thought, to his sensibility to the refining influence of sorrow, that Wordsworth is the only poet who will bear reading in times of distress. Other poets mock us by an impossible optimism, or merely reflect the feelings which, however we may play with them in times of cheerfulness, have now become an intolerable burden. Wordsworth suggests the single topic which, so far at least as this world is concerned, can really be called consolatory. None of the ordinary commonplaces will serve, or serve at most as indications of human sympathy. But there is some consolation in the thought that even death may bind the survivors closer, and leave as a legacy enduring motives to noble action. It is easy to say this; but Wordsworth has the merit of feeling the truth in all its force, and expressing it by the most forcible images. In one shape or another the sentiment is embodied in most of his really powerful poetry. It is intended, for example, to be the moral of the 'White Doe of Rylstone.' There, as Wordsworth says, everything fails so far as its object is external and unsubstantial; everything succeeds so far as it is moral and spiritual. Success grows out of failure; and the mode in which it grows is indicated by the lines which give the keynote of the poem. Emily, the heroine, is to become a soul By force of sorrows high Uplifted to the purest sky Of undisturbed serenity.