Hours in a Library, Volume 2: New Edition, with AdditionsStephen, Leslie
History
Hours in a Library, Volume 2: New Edition, with Additions
Stephen, Leslie
English literature -- History and criticism
It is time, however, to stop. More might be said by a qualified writer
of Hazlitt's merits as a judge of pictures or of the stage. The same
literary qualities mark all his writings. De Quincey, of course,
condemns Hazlitt, as he does Lamb, for a want of 'continuity.' 'No man
can be eloquent,' he says, 'whose thoughts are abrupt, insulated,
capricious, and nonsequacious.' But then De Quincey will hardly allow
that any man is eloquent except Jeremy Taylor, Sir Thomas Browne, and
Thomas De Quincey. Hazlitt certainly does not belong to their school;
nor, on the other hand, has he the plain homespun force of Swift and
Cobbett. And yet readers who do not insist upon measuring all prose by
the same standard, will probably agree that if Hazlitt is not a great
rhetorician, if he aims at no gorgeous effects of complex harmony, he
has yet an eloquence of his own. It is indeed an eloquence which does
not imply quick sympathy with many moods of feeling, or an intellectual
vision at once penetrating and comprehensive. It is the eloquence
characteristic of a proud and sensitive nature, which expresses a very
keen if narrow range of feeling, and implies a powerful grasp of one, if
only one side of the truth. Hazlitt harps a good deal upon one string;
but that string vibrates forcibly. His best passages are generally an
accumulation of short, pithy sentences, shaped in strong feeling, and
coloured by picturesque association; but repeating, rather than
corroborating, each other. The last blow goes home, but each falls on
the same place. He varies the phrase more than the thought; and
sometimes he becomes obscure, because he is so absorbed in his own
feelings that he forgets the very existence of strangers who require
explanation. Read through Hazlitt, and this monotony becomes a little
tiresome; but dip into him at intervals, and you will often be
astonished that so vigorous a writer has not left some more enduring
monument of his remarkable powers.
FOOTNOTES:
[3] In the excellent Essay prefixed to 'Hazlitt's Literary Remains.'
_DISRAELI'S NOVELS_[4]
Public-domain text, read in full here on John Shaqi.
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