Hours in a Library, Volume 3: New Edition, with AdditionsStephen, Leslie
History
Hours in a Library, Volume 3: New Edition, with Additions
Stephen, Leslie
English literature -- History and criticism
The very essence of the Shandy character implies this absolute
disengagement from all actual contact with sublunary affairs.
Neither Fielding nor Goldsmith can be accused of preaching in the
objectionable sense; they do not attempt to supply us with pamphlets
in the shape of novels, but in so far as they draw from real life
they inevitably suggest some practical conclusions. Reformers, for
example, might point to the prison experiences of Dr. Primrose or of
Captain Booth, as well as to the actual facts which they represent;
and Smollett's account of the British navy is a more valuable
historical document than any quantity of official reports. But in
Uncle Toby's bowling-green we have fairly shut the door upon the
real world. We are in a region as far removed from the prosaic fact
as in Aladdin's wondrous subterranean garden. We mount the magical
hobby-horse, and straightway are in an enchanted land, 'as though of
hemlock we had drunk,' and if the region is not altogether so full of
delicious perfume as that haunted by Keats's nightingale, and even
admits occasional puffs of rather unsavoury odours, it has a singular
and characteristic influence of its own. Uncle Toby, so far as his
intellect is concerned, is a full-grown child; he plays with his toys,
and rejoices over the manufacture of cannon from a pair of jack-boots,
precisely as if he were still in petticoats; he lives in a continuous
daydream framed from the materials of adult experience, but as
unsubstantial as any childish fancies; and when he speaks of realities
it is with the voice of one half-awake, and in whose mind the melting
vision still blends with the tangible realities. Mr. Shandy has a
more direct and conscious antipathy to reality. The actual world is
commonplace; the events there have a trick of happening in obedience
to the laws of nature; and people not unfrequently feel what one
might have expected beforehand that they would feel. One can express
them in cut-and dried formulæ. Mr. Shandy detests this monotony. He
differs from the ordinary pedant in so far as he values theories not
in proportion to their dusty antiquity, but in proportion to their
unreality, the pure whimsicality and irrationality of the heads which
contained them. He is a sort of inverted philosopher, who loves the
antithesis of the reasonable as passionately as your commonplace
philosopher professes to love the reasonable. He is ready to welcome a
_reductio ad absurdum_ for a demonstration; yet he values the society
of men of the ordinary turn of mind precisely because his love of
oddities makes him relish a contradiction. He is enabled to enjoy the
full flavour of his preposterous notions by the reaction of other
men's astonished common-sense. The sensation of standing upon his head
is intensified by the presence of others in the normal position. He
delights in the society of the pragmatic and contradictious Dr. Slop,
because Slop is like a fish always ready to rise at the bait of a
Public-domain text, read in full here on John Shaqi.
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