Hours in a Library, Volume 3: New Edition, with AdditionsStephen, Leslie
History
Hours in a Library, Volume 3: New Edition, with Additions
Stephen, Leslie
English literature -- History and criticism
Do not inquire how far it
has been deliberately concocted and stimulated. The man is not only a
wonderful artist, but he is right in asserting that his impulses are
clear and genuine. Why should not that satisfy us? Are we to set up
for so rigid a nature that we are never to consent to sit down with
Uncle Toby and take him as he is made? We may wish, if we please, that
Sterne had always been in his best, and that his tears flowed from
a deeper source. But so long as he really speaks from his heart—and
he does so in all the finer parts of the Toby drama—why should we
remember that the heart was rather flighty, and regarded with too much
conscious complacency by its proprietor? The Shandyism upon which he
prided himself was not a very exalted form of mind, nor one which
offered a very deep or lasting satisfaction. Happily we can dismiss an
author when we please; give him a cold shoulder in our more virtuous
moods, and have a quiet chat with him when we are graciously pleased
to relax. In those times we may admit Sterne as the best of jesters,
though it may remain an open question whether the jester is on the
whole an estimable institution.
FOOTNOTES:
[8] Sterne says in the letter that Hall was over forty; and he was
five years older than Hall.
_COUNTRY BOOKS_
A love of the country is taken, I know not why, to indicate the
presence of all the cardinal virtues. It is one of those outlying
qualities which are not exactly meritorious, but which, for that very
reason, are the more provocative of a pleasing self-complacency.
People pride themselves upon it as upon early rising, or upon
answering letters by return of post. We recognise the virtuous hero
of a novel as soon as we are told that the cat instinctively creeps
to his knee, and that the little child clutches his hand to stay
his tottering steps. To say that we love the country is to make
an indirect claim to a similar excellence. We assert a taste for
sweet and innocent pleasures, and an indifference to the feverish
excitements of artificial society. I, too, love the country—if such a
statement can be received after such an exordium; but I confess—to be
duly modest—that I love it best in books. In real life I have remarked
that it is frequently damp and rheumatic, and most hated by those
who know it best. Not long ago, I heard a worthy orator at a country
school-treat declare to his small audience that honesty, sobriety,
and industry, in their station in life, might possibly enable them
to become cabdrivers in London. The precise form of the reward was
suggested, I fancy, by some edifying history of an ideal cabman; but
the speaker clearly knew the road to his hearers' hearts. Perhaps the
realisation of this high destiny might dispel their illusions. Like
poor Susan at the corner of Wood Street, they would see
Bright volumes of vapour through Lothbury glide,
And a river flow on through the vale of Cheapside.
Public-domain text, read in full here on John Shaqi.
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