Hours in a Library, Volume 3: New Edition, with AdditionsStephen, Leslie
History
Hours in a Library, Volume 3: New Edition, with Additions
Stephen, Leslie
English literature -- History and criticism
Mr. Lowell, in one of the most charming essays ever written about a
garden, takes his text from White of Selborne, and admirably explains
the charm of that worthy representative of the Waltonian spirit. 'It
is good for us now and then,' says Mr. Lowell, 'to converse in a
world like Mr. White's, where man is the least important of animals;'
to find one's whole world in a garden, beyond the reach of wars and
rumours of wars. White does not give a thought to the little troubles
which were disturbing the souls of Burke and George III. The 'natural
term of a hog's life has more interest for him than that of an
empire;' he does not trouble his head about diplomatic complications
whilst he is discovering that the odd tumbling of rooks in the air is
caused by their turning over to scratch themselves with one claw. The
great events of his life are his making acquaintance with a stilted
plover, or his long—for it was protracted over ten years—and finally
triumphant passion for 'an old family tortoise.' White of Selborne did
not live in the rough old days when a country house had occasionally
to be a fastness; nor in our own, when he would have to consider
whether his property ought not to be 'nationalized.' He was merely a
good, kindly, domestic gentleman, on friendly terms with the parson
and the gamekeeper, and ready for a chat with the rude forefathers
of the hamlet. His horizon, natural and unnatural, is bounded by
the soft round hills and the rich hangers of his beloved Hampshire
country. There is something specially characteristic in his taste for
scenery. Though 'I have now travelled the Sussex Downs upwards of
thirty years,' he says, 'I still investigate that chain of majestic
mountains with fresh admiration year by year;' and he calls 'Mr.
Ray' to witness that there is nothing finer in any part of Europe.
'For my own part,' he says, 'I think there is somewhat peculiarly
sweet and amusing in the shapely figured aspects of chalk hills in
preference to those of stone, which are rugged, broken, abrupt, and
shapeless.' I, for my part, agree with Mr. White—so long, at least,
as I am reading his book. The Downs have a singular charm in the
exquisite play of long, gracefully undulating lines which bound their
gentle edges. If not a 'majestic range of mountains,' as judged by an
Alpine standard, there is no want of true sublimity in their springing
curves, especially when harmonised by the lights and shadows under
cloud-masses driving before a broad south-westerly gale; and when
you reach the edge of a great down, and suddenly look down into one
of the little hollows where a village with a grey church tower and a
grove of noble elms nestles amidst the fold of the hills, you fancy
that in such places of refuge there must still be relics of the quiet
domesticities enjoyed by Gilbert White. Here, one fancies, it must
be good to live; to discharge, at an easy rate, all the demands of
a society which is but a large family, and find ample excitement in
Public-domain text, read in full here on John Shaqi.
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