Hours in a Library, Volume 3: New Edition, with AdditionsStephen, Leslie
History
Hours in a Library, Volume 3: New Edition, with Additions
Stephen, Leslie
English literature -- History and criticism
of poor Pepys himself. The man who, like Goldsmith, is so running
over with jealousy that he is forced to avow it openly, seems to
be a sort of excuse to us for cherishing a less abundant stock of
similar sentiment. This is one occult source of pleasure in reading
autobiography. We have a delicate shade of conscious superiority in
listening to the vicarious confession. 'I am sometimes troubled,'
said Boswell, 'by a disposition to stinginess.' 'So am I,' replied
Johnson, 'but I do not tell it.' That is our attitude in regard to the
autobiographer. After all, we say to ourselves, this distinguished
person is such a one as we are; and even more so, for he cannot keep
it to himself. The conclusion is not quite fair, it may be, when
applied to the case of a diarist like Pepys, who, poor man, meant only
to confide his thoughts to his note-books. But it applies more or
less to every genuine autobiographer—to every man, that is, who has
deliberately written down a history of his own feelings and thoughts
for the benefit of posterity.
The prince of all autobiographers in this full sense of the word—the
man who represents the genuine type in its fullest realisation—is
undoubtedly Rousseau. The 'Confessions' may certainly be regarded
as not only one of the most remarkable, but as in parts one of the
most repulsive, books ever written. Yet, one must add, it is also
one of the most fascinating. Rousseau starts by declaring that he
is undertaking a task which has had no precedent, and will have no
imitators—the task of showing a man in all the truth of nature,
and that man himself. How far he is perfectly sincere in this, or
in the declaration which immediately follows, that no one of his
readers will be able to pronounce himself a better man than Jean
Jacques Rousseau, is a question hardly to be answered. The avowal is
at any rate characteristic of the true autobiographer. It reflects
the subtle vanity which, taking now the guise of perfect sincerity,
and now that of deep humility, encourages us to colour as highly as
possible both our vices and our virtues as equally entitling us to the
sympathies of mankind: that strange and Protean sensibility which we
are puzzled to classify either as an excessive craving for admiration,
or a mere morbid desire for self-abasement. Certainly in Rousseau
it sometimes shows itself in a shamelessness which it is very hard
to forgive unless we will admit the ambiguous and well-worn plea of
partial insanity. The pleasure—always, it must be granted, a very
questionable one—of recognising our own failings in our superiors,
passes too often into sheer disgust or shuddering horror at the
spectacle of genius grovelling in the mire. But Rousseau represents
an abnormal development of all the qualities of his class; and this,
the ugliest amongst the autobiographic instincts, is hardly developed
out of proportion to the rest. And, therefore, if we cannot quite
forgive, we are not altogether alienated. We read, for example, one
Public-domain text, read in full here on John Shaqi.
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