Hours in a Library, Volume 3: New Edition, with AdditionsStephen, Leslie
History
Hours in a Library, Volume 3: New Edition, with Additions
Stephen, Leslie
English literature -- History and criticism
It is pleasantest, perhaps, to avoid the more familiar and pompous
scenes. It is rather in the byplay—in the little vignettes of real
life which turn up amidst more serious events—that we may find the
characteristic charm of the narrative. The trials, for example, of
the regicides have an interest. They died for the most part (Hugh
Peters seems to have been an exception) as became the survivors of the
terrible Ironsides, glorying, till drums beat under the scaffold to
silence them, in their fidelity to the 'good old cause,' and showing
a stern front to the jubilant royalists. But one must admit that
they show something, too, of the peculiarities which made the race
tiresome to their contemporaries as they probably would be to us. They
cannot submit without a wrangle—which they know to be futile—over
some legal point, where simple submission to the inevitable would
have been more dignified; and their dying prayers and orations are
echoes of the long-winded sermons of the Blathergowls. They showed
fully as much courage, but not so much taste, as the 'royal actor'
on the same scene. But amidst the trials there occurs here and there
a fragment of picturesque evidence. A waterman tells us how he was
walking about Whitehall on the morning of the 'fatal blow.' 'Down
came a file of musketeers.' They hurried the hangman into his boat,
and said, 'Waterman, away with him; begone quickly.' 'So,' says the
waterman, 'out I launched, and having got a little way in the water,
says I, "Who the devil have I got in my boat?" Says my fellow, says
he, "Why?" I directed my speech to him, saying, "Are you the hangman
that cut off the King's head?" "No, as I am a sinner to God," saith
he, "not I." He shook, every joint of him. I knew not what to do.
I rowed away a little farther, and fell to a new examination of
him. "Tell me true," says I, "are you the hangman that hath cut off
the King's head? I cannot carry you," said I. "No," saith he;' and
explains that his instruments had been used, but not himself; and
though the waterman threatened to sink his boat, the supposed hangman
stuck to his story, and was presumably landed in safety. The evidence
seems to be rather ambiguous as concerns the prisoner, who was accused
of being the actual executioner; but the vivacity with which Mr.
Abraham Smith tells his story is admirable. Doubtless it had been his
favourite anecdote to his fellows and his fares during the intervening
years, and he felt, rightly as it has turned out, that this accidental
contact with one of the great events of history would be his sole
title to a kind of obscure immortality.
Public-domain text, read in full here on John Shaqi.
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