Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and TheosophyEvans, Henry Ridgely
Religion
Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and Theosophy
Evans, Henry Ridgely
Blavatsky, H. P. (Helena Petrovna), 1831-1891; Spiritualism; Theosophy
The peculiar manner of holding the hands, described above, enables the
medium to secure for her use, a ligature of knotted cloth between her
hands, some six inches long; and the central bandage, usually tied in four
or five double knots, gives her about two inches play between the middle
of the cotton handcuffs and the ring in the post, to which it is secured.
The ring is two and a half inches in diameter, and the staple which holds
it to the stanchion is a half inch. The left hand of the medium gives six
additional inches, and the bandage on her wrist slips readily along her
slender arm nearly half way to the elbow--"all of which," says John W.
Truesdell,[3] who was the first to expose Miss Fay's spirit pretensions,
"gives the spirits a clear leeway of not less than 20 inches from the
stanchion. The moment the curtain is closed, the medium, under spirit
influence spreads her hands as far apart as possible, an act which
stretches the knotted ligature so that the bandage about it will easily
slip from the centre to either wrist; then, throwing her lithe form by a
quick movement, to the left, so that her hips will pass the stanchion
without moving her feet from the floor, the spirits are able, through the
medium, to reach whatever may have been placed upon her lap."
One of Annie Eva's most convincing tests is the accordion which plays,
after it has been bound fast with tapes and the tapes carefully sealed at
every note, so as to prevent its being performed on in the regular manner.
Her method of operating, though simple, is decidedly ingenious. She
places a small tube in the valve-hole of the instrument, breathes and
blows alternately into it, and then by fingering the keys, executes an air
with excellent effect.
Sometimes she places a musical box on an oblong plate of glass suspended
from the ceiling by four cords. The box plays and stops at word of
command, much to the astonishment of listeners. "Electricity," exclaims
the reader! Hardly so, for the box is completely insulated on the sheet of
glass. Then how is it done? Mr. Asprey Vere, an investigator of spirit
phenomena, tells the secret in the following words: ("Modern Magic"). "In
the box there is placed a balance lever which when the glass is in the
slightest degree tilted, arrests the fly-fan, and thus prevents the
machinery from moving. At the word of command the glass is made level, and
the fly-fan being released, the machinery moves, and a tune is played.
When commanded to stop, either side of the cord is pulled by a confederate
behind the scenes, the balance lever drops, the fly-fan is arrested, and
the music stops."
One of the tests presented to the American public by this medium is the
"spirit-hand," constructed of painted wood or _papier mache_, which raps
out answers to questions, after it has been isolated from all contact by
being placed on a sheet of glass supported on the backs of two chairs.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account